White Rabbits recently moved cross-country from the Midwest to the Big Apple (smart move, rock musicians) and have since signed to Say Hey Records, on which the band is releasing Fort Nightly. This debut album opens with a catchy piano riff, bright guitars, spooky background vocals, and energetic drums on "Kid On My Shoulders," which moves into an eerie and forceful chant that somehow reminded me of the guards in "The Wizard of Oz." Without a moment to breathe, the album goes into the fast-paced "The Plot," which sounds like a combination of The Strokes at their best with vocal harmonies reminiscent of early Jackson 5. "Navy Wives" is a fun tune with off-beat guitars and calypso-inspired percussion, "While We Go Dancing" sounds just like it came off an '80s disc jockey's playlist, and "I Used To Complain, Now I Don't" could be played at a (very hip) island resort. White Rabbits have garnered comparisons to artists on the famous ska label 2 Tone Records, and this analogy is especially apparent on "March of The Camels," which reminds me of The Specials' "Ghost Town." Towards the third quarter of the album, White Rabbits get even spookier, if only because of their astonishing ability to combine creepy sounds with memorable riffs and spot-on three-part harmony.