In 1965-1966, mainstream rock-pop in England (non-mainstream rock was already forming in the US, in the form of still unknown bands like the Grateful Dead and Jefferson Airplane) was taking a very steady course; The Beatles, more or less alone at the top, were leading and creating the mainstream, slowly leading it into new realms. The Rolling Stones, always one step behind them (having pretty much abandoned the bluesy attitude of their first releases and not yet found their own sound; that would only happen in 1968-69), always trying to out-do the Beatles. And dozens of other bands, slowly dragging behind them.

It's obvious to me from this very first album that The Who, despite the appearence of the album cover and its dry, meaningless title, were never a mainstream group, never Beatles or Stones imitators. True, they did have enormous commercial success from the very beginning; but they somehow managed to remain in and out of mainstream at the same time, recording mass-selling singles which were bound to sell the albums as well, no matter how sophisticated and experimental the albums really were. Of the songs on this first album, of the three singles released, two - The Kids Are Alright and La La Lies - were quite msinstreamly Beatle-esque, and therefore sold well; the third, My Generation, one of the Who's most brilliant songs, is an oddity, and I'm not sure how it became such a huge hit as early as 1965. It did, though, and good for them. The Who were never a pop group, despite what their second album, 'A Quick One', may suggest. Their semi-mainstream persona opened the way to many other important musical phenomenas; Punk, Grunge and Alternative rock are all part of The Who's legacy. No wonder their music was so often covered in concerts by bands like Nirvana and Pearl Jam.

The Who were more mature in their music and lyrics than most English pop bands of the 60s, and Pete Townshend was in every aspect a professional songwriter, as much as he was one of the most creative guitar-players of his time, even if not the best techniqually. And while I'm on the subject: instrumentally, The Who were the very best, their only competition in England being the legendary Cream. Roger Daltrey had one of the best recognizable, most imitated voices in rock; Keith Moon's fierce, violent drumming is by far the best in that time, and had influenced all rock drummers who came after him, including Led Zeppelin's John Bonham, the Jimi Hendrix Experience's Mitch Mitchell and the Muppets' Animal (and I'm certain that Keith is the direct inspiration to Animal's character); and John Entewistle, who remains the finest bass player in rock history, supplying some of the most amazing bass-solos I've ever heard. Note that throughout their career, The Who maintained their four-man lineup almost religiously. The Stones were a six-man band from the very beginning, and The Beatles were always happy to bring in guest musicians, whether it's a flute or trumpet player, a string quartet or an entire orchestra. The Who were always very purist in their instrumentation, though the sounds they could make with these instruments were truly astonishing. Though the Beatles were and remain my favorite band, the Who were, basically, much more of a rock band (and much more of a band, really.)

The Who's debut album is an incredible, energetic masterpiece of a rock album, with several songs that are amazing in their experimentations and original sound and techniques. Most notable are 'Out In The Street', with Pete's odd guitar experiments, making pretty much every sound possible with a guitar (including smashing and breaking, of course); 'It's Not True', a fantastic typical example of Pete's witty, sharp songwriting; 'Instant Party (Circles)', a superb, semi-progressive song, introducing John Entwistle's trademark french horn; and 'The Ox', a big, impressive instrumenal segment the likes of which no other band at the time could make.

Whether or not this is The Who's best album it's impossible to determine. True, it's not as comlex and polished as Tommy or Quadrophenia, and it's not half as clever as the wonderful 'The Who Sell Out'; but it certainly has a magic of its own, more than the debut album of any other band of the Who's generation. A timeless classic, an essential CD.

Yes, this is it.....the start of a legend. There is no need to tell you about the famous tracks (My Generation & The Kids Are Alright), but let's review the others. This was when the Beatles and Stones were newly minted Gods and there simply wasn't supposed to be any way to top either of them. But nobody figured there was a Keith Moon out there, or a Pete Townsend, or a guy who loved French horn named John Entwistle, and...oh yeah, that guy who sings.....Daltrey. But there was....and here is what they wanted us to hear first.

The Ox - If you haven't heard it, you don't really understand that Keith & John were as original as Pete & Roger.....play it first!

Part of me wants to call this the Who's greatest album. Don't get me wrong- I love Who's Next and Live at Leeds as much as the next guy (or doll), but come on! This record rocks with such rip-roaring, white-hot, blood-boiling abandon that it just about drowns out "Won't Get Fooled Again." I mean, seriously, just listen to that first song: easily one of the greatest album openers ever, "Out In the Street" comes tearing out of the gates like a drunken hooligan, a vein-shredding mod-rock meltdown that teeters on the edge of white noise that foreshadows heavy metal and punk while keeping one foot firmly rooted in the wildman traditions of R&B. Sounds good, right? Now, imagine an album with 12 songs of similar quality.

"The Good's Gone" is a sullen, bitter drone with a defiant, sneering vocal from Roger Daltry and a wonderfully sludgy rhythm from Keith Moon and John Entwistle. "A Legal Matter" is soul-based mod at its most happenin', with its ridiculously catchy chorus, pounding pianos and propulsive vocals. "La-La-La-Lies" is a vengeful little pop nugget, and "The Ox" is an absolutely outta-hand instrumental assault featuring a brutal electric guitar onslaught from Pete Townshend and some truly unbelievable drumming. There's also the wonderfully tongue-in-cheek "It's Not True" and the proto-psychedelic delirium of "Circles." I even like the two much-maligned James Brown covers here (Ok, to be fair, I could do without the somewhat stiff "Please Please Please," but the group's take on "I Don't Mind" retains the original's smoldering intensity). And then there's "The Kids Are Alright," one of the most genuinely poignant songs ever written about the bittersweet experience of growing up. I should also mention the title track, an apocalyptic noise-fest that makes Ozzy Osbourne look like Barney the Dinosaur.

A great debut album, then. Get it and crank it.

With the sudden, tragic death of Who bassist John Entwistle on June 27, I pulled out this album, The Who's debut disc from 1965, and played it in tribute to the late, great Ox (and I definitely plan to play more Who albums from my collection in the days ahead as well). The only Who album to unfortunately NOT get remastered yet (apparently due to producer Shel Talmy having a long-standing dispute with the band to this day), "The Who Sings My Generation" is vintage, classic Who that presents the band in all of their early Mod glory: Roger Daltrey's great voice, Pete Townshend's expert songwriting & ferocious guitar playing, John Entwistle's monstrous bass, and Keith Moon's unique smashing of the drumkit, it's all here. Classic Who songs are everywhere: "My Generation," "The Kids Are Alright," "La La La Lies," "Circles" (featuring John on french horn!), "A Legal Matter" (with a fine debut lead vocal from Pete), "Much Too Much," and the Entwistle/Moon power showcase, "The Ox." "The Good's Gone" is a terrific Who rocker, a true buried treasure from the band, and their covers of James Brown's "I Don't Mind" and "Please Please Please" are great fun.Like their contemporaries The Beatles, The Who would definitely expand their musical horizons and greatly mature as a band in the years that would follow, but they had to start somewhere, and what a fabulous start, too: "The Who Sings My Generation" is an essential rock album, capturing The Who at their most raw in 1965 when Mod was God to so many youths of the day. A classic Who album in every sense of the word. Farewell John, and say Hi to Keith for us. Long Live The Who. :-)

According to sheltalmy.com, MCA and The Who have made an agreement with Shel to release the album My Generation remixed and remastered in stereo. The cd is said to be a double cd package including outakes and bonus tracks. It is scheduled to be released in Spring of 2002.