Above and beyond the hype (i.e., Japanese pop superstar sets her sights on the USA), EXODUS succeeds based on its varied musical merits, one that may take several listens to fully appreciate. I've been enthusiastic about 21-year old Hikaru Utada's music for the past five years via imported CDs and DVDs, hearing a fresh approach to pop with liberal doses of hiphop, r&b, nu-soul, and extending even into reggae, jazz, rock, etc. Her career began at a level of depth beyond her years, and with each successive album she has grown musically without losing sight of what she previously accomplished.

What strikes me above and beyond all else on EXODUS is that Utada seems focused on letting her musical imagination run wild, with remarkably little calculation to fit into mainstream pop culture musical trends. At the same time, she succeeds in finding that elusive balance between experimentation and familiarity that gives EXODUS the potential to please both those who want to be entertained as well as those who need to be challenged. Several tracks such as "Devil Inside" and the lead single "Easy Breezy" are already making waves. But EXODUS is one of those rare albums that stays inspired from beginning to end.

There are some quite provocative lyrics at times, particularly on "Tippy Toe" that appears to come from the perspective of an opportunistic woman who seduces a married man (who shares the blame of course), seemingly turned on even further by the fact that their actions are likely to tear his family apart. Without actually showing her hand, I hear this cut as a wry indictment of such shameful behavior (btw: Utada is a married woman). However you might interpret the lyrics, it sure does place an incendiary topic on the table. No matter what the theme, the album's lyrics -- mostly less controversial than "Toe" -- avoid the plastic and/or profane excesses of pop culture, which to me makes EXODUS an album mostly suitable for all ages (with maybe some intermittent parental guidance for the youngsters).

Musically, EXODUS boldly combines classic synth sounds (funk, prog-rock, etc.), post-hiphop production, and a lot of seamless genre-blending in a manner that throughout is a fresh musical experience, an aural portrait of musical unity. The melodies without exception stay fresh over repeated listenings, and Utada's vocals give expression to a variety of moods. Timbaland produces three cuts, but no matter who is assisting it is Utada's vision that dominates. Pop culture has always been in dire need of depth and substance to counterbalance those who merely follow the money trail, and EXODUS continues Utada's track record of delivering music that will appeal to open-minded listeners of all ages ... and this time sung in English.

When I first heard the album I was a bit takin aback. At first I thought it was the album itself, that it sucked. As in the tune/beat of the music along with the lyrics. But after listening to some of the songs again... I really liked it.

What threw me off at first was that this album is such a change from Utada's Japanese albums, which I am familier with. But after listening to the songs in a different mind set I was able to really enjoy them. It's just a change of sound from what I was used to from her.

The beat and tempo of the songs are fun. Some are upbeat and others more slow, I love each style. Best of all, the songs sound unique from both Utada's previous work along with all the current music we have out today.

The lyrics are also good. They are clever, cute, fun, touching, deep... Some all at once and others one at a time.

And one thing you can't deny is that Utada is a damn good singer. Listening to her Japanese music it isn't that easy to tell as I do not know Japanese, though I do listen to more Japanese music then English. But in this album you can definatly hear Utada's talent. She's an amazingly talented young woman.

I love this album and really hope it makes it. I'd love to see artists from overseas breaking into our market here in the states. Britney Spears sells records world wide w/o even attempting to sing in any other language. Why can't artists from other countries do the same here in America?

When I first heard Easy Breezy, I had doubts about this album. Although a very catchy song, it still misses the magic in Utada's music. But after listening to the whole album, I'm sure this album will be a hit.

Devil Inside is a great song with some really, really cool lyrics. Exodus '04, one of the two songs which isn't produced by Utada herself but by Timbaland, is an amazing track. The other song produced by Timbaland, Let Me Give You My Love, is so addictive that you'll be singing it all the time. Just like Easy Breezy, although it's one of the weakest song of the album. Another great track is About Me, which shows Utada's vocal and guitar skills. The masterpiece in this album is definitely Kremlin Dusk. I cannot describe how great this track is, you just have to hear it for yourself! All the songs are amazing except You Make Me Want To Be A Man, which I don't listen to very much, because I think it's too repetitive.

But this doesn't stop me to rate this album 5 stars. It's refreshing and addictive and this album comes highly recommended!! Utada did a great job and you'll playing this album over and over again.

Utada's album Exodus is another tribute to her talent! She create a unique and new sound, blending beautiful melody and tight beats. Her lyrics show a different side of her that adds a new dimension to her style and personality. To all you Utada fans: this is a must add to your collection! And to everyone else: if your tired of the same-old, same-old and is looking for fresh and unique sound, look no further!!!

Utada definately knows her stuff. This album is full of refreshing sounds and pleasing beats mixed with great lyrics and vocals. Everything about this album screams BUY ME!

Showing she's not afraid to play in the dirt, she writes, sings, arranges, and produces all the songs on her album except the two or three master producer Timbaland had the pleasure of producing for her.

Experimental songs like Animato and Kremlin dusk will blow your mind the first time you hear the aurally orgasmic brilliance that fills every crevice of your poor unsuspecting ears. Kremlin Dusk is especially noteworthy and is the best track on the CD in my opinion. The drummer from Mars Volta gives her a hand on the track. Together, they craft a beautiful song.

About Me showcases her vocal talent. Just sit back and let her deep, beautiful voice carry you through the song as you listen to the acoustic guitar followed by a soothing R&B beat.

Songs like Exodus 04, The Workout, Tippy Toe, Let me Give You my Love, and many others make this album worth every cent of your money.

Afterwards if your tired of all the serious music listening put it on Easy Breezy. Listen to the fun and energetic lyrics and have a nice time with the happy beat.

I hope you consider this CD because I know you will love it.