This movie is probably more enjoyable for Pistols fans than for others; plus Pistols fans will be able to tell when Malcolm McLaren is, er, stretching the truth a bit: "But my greatest invention was what they called 'the Punk Rock'" he hisses from behind a leather S&M mask in the opening sequence. There's some sharp, funny stuff here, as many of McLaren's "commandments" for rock'n'roll stardom can be seen today in pop: the cynicisms of executives and marketers who have no real interest in music; the "pre-fabricated" band; the commodification of rebellion.

Thing is, the Sex Pistols were greater than even McLaren could have ever imagined. Compare the cheesy, corny sequences, many with McLaren, to those in which Johnny Rotten is on-screen: Rotten's intent is so gleefully mad, so mesmerizing and ferocious, that it completely undercuts Malcolm's prancing about, his art-school theories, and his impresario pretensions. Watching Johnny, Sid, Steve and Paul in rehearsal (singing "No Feelings") or in a "video" ("God Save the Queen" and "Pretty Vacant") or live on-stage in Dallas and San Francisco (their last ever gig) is a real thrill--equal parts subversion (Johnny) and stupidity (Sid). Really, these are the best parts of the film....

Except for the classic scenes of Sid Vicious, all filmed less than a year before he died. Here Sid stalks Paris, clad in spiked leathers, engineer boots, and a bright-red swastika T-shirt, mocking the populace and stealing sweets. He kisses a poster of Clint Eastwood. He attacks a prostitute. And later that night he appears to a sell-out crowd, clad in tuxes and ball gowns, and astonishes them with his immortal trashing of "My Way."

Wisely, the film ends after that. I mean really, what could have topped it!

When I found out Sony was releasing this to dvd - I figured I would be able to throw away the grainy VHS copy I had from Japan. I'm not so sure I will do that now because the DVD transfer is sometimes better - and (shockingly) sometimes *not*.

With this being a documentary (of sorts) and showing clips from random sources (many of them being shot on 8mm and the TV), I figured a prestine picture would be out of the question. But even the professionally filmed footage with Malcolm (the bands manager), all the scenes with guitarist Steve Jones playing a film noir private eye, and the animation - all show signs of wear and tear. It looks no better than my VHS copy taped over 20 years ago. This is such an "over the top" mocumentary (and one of its kind) that a complete overhaul of the original film negative should have been done without question. Hense, Sony decided to leave well enough alone - and that is a mistake.

What they DID do is present us with a 5.1 surround sound mix, which has got to be the poorest *remastering* I have ever heard. The sound is not near as clean that a 5.1 surround should be. Its a shame that Sony could not give more effort from the mixing board. Awful job...You might as well just listen to the original mono mix.

As for the movie itself - its presented as a documentary style, with footage of fiction mixed in - mostly centering on Malcolm McLaren teaching us his "10 Comandments" on how to scam and shock the media, as well as the general public - by ways of a rock and roll band. All this is woven with Steve Jones on the hunt for him via private detective (why ? We are not really told). What holds our interest is the original clips and footage of the Pistols from newscasts, videos, and concerts. The problem is - there is not enough of it. But once they grace the screen, it will grab your attention.

Once Johnny Rotten leaves the band (Malcolm said he was fired..yeah right) - we are left with Steve Jones and drummer Paul Cook traveling to Rio for some recording sessions with Ronnie Biggs, exile from the UK for robbery. Do we really care to see this ? Does this have anything to do with the Sex Pistols ? Very little, in my opinion. We also get to see bassist Sid Vicious on his solo outing throughout France. This poses a problem with me (even 20 years ago I felt the same way): Yes - its SID - part of the Sex Pistols - but solo ???? It just didn't seem to flow with the first 80 minutes of the film, which delt with the Pistols as a 4 man band. To pad the film out to 100 minutes with solo videos/footage just didn't seem to fit. But - its there - and it is interesting to a point - but becomes tiresome and uneven.

It becomes *very* uneven with the movie theater sequences, part showing Tadpole (who IS he ???) singing "Who Killed Bambi" and another part where Steve Jones is getting it on in the audience with a (real life) porn star. Its very misplaced in this film.

I viewed this many times back in the early 80s, maybe not because it was so great - but because its all that was *there*. Now - we have a choice of 2 other documentaries: The superior "The Filth & The Fury" and the "Greatest Albums - Never Mind The Bullocks", both on dvd. I would advise anyone who is just starting to learn about the Sex Pistols, to first dive into the "Greatest Albums" dvd - then watch "The Great Rock N Roll Swindle"...You will understand it better.

After that - the *must see dvd* is Julien Temple's "The Filth & The Fury", which tells us the real story of the Pistols, as remembered by Rotten, Cook, Jones, and original bassist Glen Matlock. After viewing these 3 pieces of Pistols work - you will get a total understanding of what happened.

With that being said - Julien Temple's "The Great Rock N Roll Swindle" is an interesting piece of filmmaking on the rise and fall of punk rocks originators, but has a bit tooooo much of Malcolm McLaren's psychobabble - and not enough story told by the Pistols themselves (Johnny Rotten refused to be a part of this, and has gone down in his book to say he "hated this film"). I can't say I hated it - but it sure left a lot of question marks.

For die hard Sex Pistol fans only - others will just be confused.

I would put this as a classic midnight movie....

The movie had potential to be funnier than it was but wound up being far more disjointed than it should have been... it seemed like they were trying to do a "Hard Days Night" type of film. Another obstacle they faced was that Johnny Rotten wanted nothing to do with this film, and is only seen in the concert footage and interviews. The US tour footage was great to watch, they really should have released the Dallas and San Fran footage in its entirety here.

In a way, it's this film that made Sid Vicious a tragic hero and turned him into even more of a cartoon parody of himself, but the "My Way" scene is classic. The animation is funny, silly, and memorable. It also fills in some blanks, like Lydon's stabbing and the record company incident where they were out of control. Would have made a great adult cartoon had they chose to take it all the way.

The film is worth it for the Pistols footage, but the whole Ronnie Biggs thing was pretty much pointless. Steve Jones and Malcolm McLaren provided the barebones "continudity" throughout the film. Glen Matlock is also seen but nothing much more.

The film is an essential for Pistols fans as well as fans of punk rock, although definitely not for anyone under 16. If you're looking for a documentary of the Pistols, this is not the film.

Julien Temple's "Filth and the Fury" is THE Pistols documentary bar none and puts more depth into Vicious as well as Lydon being involved, the Classic Albums series of "NMTB", and the Ramones "End of the Century" as well.

Johnny Rotten would try his hand at acting in a film called "Corrupt" with Harvey Keitel(!), a film that went nowhere.

Don Letts (who was there from the beginning...DJ as well as Big Audio Dynamite member) made 2 great films, "The Punk Rock Movie" which came out in the middle of the punk movement and the more recent "Punk: Attitude" which I'd recommend because he talked to the people who helped shape, influence and execute it.

Here's the list of other recommended films: Sid and Nancy, SLC Punk, Repo Man, Urgh! A Music War, Decline of Western Civilization, DOA, The Clash - Westway To The World, Fabulous Stains, Another State of Mind, Suburbia, Reform School Girls, Rock and Roll High School, Rude Boy, and VH1s 25 years of Punk is worth tracking down as well.

The "pre and post punk" movies are also worth having: 24 Hour Party People and Velvet Goldmine both kind of bookend the "class of 77".

There are also books: Glen Friedman's F You Heroes captures the 80s hardcore scene, Henry Rollins' "Get In The Van" book describing his early years with Black Flag and having to deal with the UK punk rockers in their "sunset" years.

John Lydon's "Rotten" is also ESSENTIAL and shows him off as a great storyteller and goes into detail about his time with the Pistols as well as afterwards (there's been talk about it being made into a movie to counter "Sid and Nancy") as well as Glen Matlock's "I Was a Teenage Sex Pistol". There's also "England's Dreaming" by Jon Savage and Noel Monk's "12 Days on the Road" about the Pistols US tour. The 2 Ramones books, one by the band and one by Dee Dee, and Legs Mc Neil's "Please Kill Me". One that might be hard to find is Deborah Spungen's "And I Don't Want To Live This Life" about Sid and Nancy from Nancy's mother.

This movie, like many band films of the 1970s, is basicly lacking a storyline and is only worth it to see the vintage sex pistol clips. The full length clips for God Save the Queen, Pretty Vacant and the Sid clips Something Else and My way. The film mostly features their manager Malcolm talking about his "swindle"=his management of the Sex Pistols. Johhny is absent from the film cuase he left the band and shows random clips of the other bandmates frolicking (and Malcolm, Steve & Paul are seen in some scenes with full frontal nudity)just doing odd things. Pretty much, it's like a very bad monty python film with punk music.

Again, it's just worth it to just fast forward through the film for the couple of cool clips. other than that, it's rubbish.

The Great Rock n Roll Swindle finally reaches DVD. A seminal movie in the punk rock era and instead of a lavish "Special Editon" it is barely released any fanfare at all.

First, the DVD quality is poor, infact it could have been sourced from a VHS master tape. The 5.1 sound is dull. It's not the poorest remastering I've heard but it's close.

Second, the movie had a long history of set backs, lost budgets and famously change of director. Russ Meyer was originally going to do the job and shot some footage. One scene in particular the famous "Who Killed Bambi?" scenes, some of which can be seen on the other Pistols film, The Filth and Fury.

Meyer had the film going in all different directions and eventually walked away from the project. Julien Temple came in and recut, directed some footage, restored some footage and came up with the film we now have.

The film is also slightly different from what was shown in the cinema in the UK originally. Due to revelations that "Catwoman" was underage, panties were added, rather crudely, for the video release. The scene in Malcolm's bathroom.

The movie also eliminates any suggestion of Glen Matlock ever being in the band before Sid. The film takes you from seedy little clubs that the Pistols played in the beginning, to being nearly impossible for them to get a licence to play anywhere in the UK, and the pompous beauricrats that thought The Sex Pistols were sent by Satan himself.

The film then embarks on the ill fated USA Tour, with the final concert at Winterland in San Francisco 1978. John left, flew back to England, John and Paul flew to Rio, where they met Ronnie Biggs, hich led to a single getting released in the UK that was banned by the BBC. Some sleeves of the record had the title as "Cosh the Driver" a reference to what happened during the Great Train Robbery.

Sid flew to France and did his solo stuff. Sid was no actor, or bass player for that matter, but his scenes in France were quite funny. He buys a cake, signs the girls overall/uniform and meets up with a prostitute and slams the cake in her face. Not all fun though, Sid walked through the Jewish area in Paris with the Swastika on his T-shirt.

After th break up the movie moves to the West End, where Steve Jones plays a detective, finally turning up at a cinema where the Swindle is playing. British comedy queen Irene Handl plays the usherette and Eddie "Tenpole" Tudor plays The kiosk guy who the usherette calls "Tadpole" Eddie was once tipped to replace Johnny as lead singer but it all fell through.

The movie ends with a Sex Pistols version of "The Good Ship Venus" retitled as "Friggin' in the Riggin'"

In conclusion, what could have been a great 2 Disc DVD with deleted scenes, concert footage. Reunion footage, maybe even a band commentary has been missed, so as the saying goes THE SWINDLE CONTINUES