Anyone who experienced the music scene of the Nineties can surely remember The Prodigy as one of the most vivid acts of that decade. After releasing critically-acclaimed albums in the early 1990's such as "Music For The Jilted Generation," the British group went global with 1997's "Fat Of The Land." The hype and build-up for this album was absolutely incredible, having been preceded the year previously with two massive dance anthems which both hit No.1 in the UK and set new records.

The Fat Of The Land arrived in July 1997 like a tidal wave as a staggering 320,000 copies were sold in the UK in its first week (this would be around 1,600,000 if it had sold the same ratio in the US because America's population is five times that of the UK). This figure does pale somewhat in comparison to Oasis' "Be Here Now" which sold 700,000 in 72 hours in the UK alone a month later, but the statistics are still extraordinary; the music scene in the 1990's was like nothing seen since the 1960's, because here was a new generation, open, free, expressing themselves, and buying music in droves. The Prodigy were a part of that most definitely.

The Fat Of The Land boasts ten tracks of fast-paced, hyper, adrenaline-fuelled anthems; a mish mash of Techno, Heavy Metal, Dance and Electronica. Critics were not quite sure what to make of this album, because it was unlike anything that preceded it. Definitely ground-breaking, but not quite a perfect album.

It opens with the deliberately controversial "Smack My Bitch Up." This song had women's rights groups up in arms, and rightly so. The lyrical content is not something I agree with, but the song itself is a masterpiece of hard-hitting techno-driven beats, and the female vocal section in the middle is incredible. The video is also very interesting, with a twist that makes you think about your preconceived notion of men as being evil and greedy pigs. "Breathe" became the band's second UK No.1 in November 1996. This is an amazing song with a hardcore beat and a very heavy chorus. The beats are raw and rough, almost steely with a whip-like rhythm section that scars itself along the intro. "Diesel Power" is a great song that has a foot-stomping beat that crashes through your headphones. With industrial beats crashing all over the bass, this is a very memorable song due to the hip-hop raps. "Funky S**t" is another great song that just blows me away every time I hear it. A lot of people don't seem to like this song, but I really like the way the deep bass is mixed with the static beats that pulsate along, all the way through.

"Serial Thriller" is an amazing song with very industrial beats that sound like sirens at a power plant. This is quite a heavy song that reminds me more of hardcore rock bands than anything, and the vocals are quite brilliant. "Mindfields" is probably my least favourite song on the album, but it's also probably the most electronic song on the album. The beats are rather fuzzy and scattered here which gives this effect. "Narayan" is the longest song on the album at just over nine minutes. The song is very different to anything else on the album because it has a clear and bright beat that just flows through your brain. The song actually features an ancient Hindu prayer towards the end, which is so unusual; to see this hardcore techno-rock song mixed with such a religious statement. Towards the end, the song becomes all mixed up until you can hardly pick it apart, before the beat rises to a climax, and then...

Ah, then comes the real star of the album. It is of course "Firestarter," and it is without a doubt one of the most popular songs in the UK of all time. This song stormed to No.1 in the UK in early 1996 and put the band at the forefront of the British music scene. This song scared grannies, infuriated protective parents, and made millions of teenagers all over the country go crazy with joy! The video to this song has to be seen to be believe, a true classic' the song is dirty, gritty and so anthemic. "Climbatize" is one of my favourite songs on the album, but it doesn't seem to get much recognition. I'm not sure why this is, maybe because it's an instrumental track, but this shouldn't distract from how brilliant it is. The song opens gently with a distant beat that grows heavier and louder until a full rhythm section is dancing and darting its way all over the set. Imagine watching the sun rise as you listen to this, it's amazing. The album closes with "Fuel My Fire," which is a cover version of the L7 original. This song is very heavy and dark and reminds more of the Sex Pistols.

OVERALL GRADE: 9/10

And there you have it, an album that was intended for the dance floor, but completely transcends the genre. The music on this album will always be remembered for being completely original and unique, like nothing before it and, because it also now sounds slightly dated, like nothing in the future. Keith Flint would take a further seven years to release the follow-up to this album. Maybe he just couldn't get it right, who knows. This album isn't perfect, and it's certainly not my favourite of 1997; Radiohead's "OK Computer" and Bjork's "Homogenic" run circles around it. It is, still, a great album and one that I feel is worthy of a place on any music lover's shelf, if not for the nostalgia.

Some albums stand out from the pack either because they are unique or outstanding.

"The Fat of the Land" by The Prodigy stands out for both reasons. As any good dance album should, "The Fat of the Land" provides a raucous good time from start to finish. It is full of energy and inculcates the listener with that energy -- I think it's impossible to not feel like moving when this album is playing. Moreover, I really don't think that there is even one remotely weak song on this album.

However, what differentiates this album from others of its kind is that it is an odd dichotomy of dark and forboding and yet pounding and fast at the same time. I think that it serves up a different sound that I really haven't heard since.

"Breathe" and "Firestarter" are the two songs that people would be most familiar with -- and they weren't hits for nothing; they are contagiously feral and to this day their sound holds up. In addition to those two, I really like the songs "Smack My Bi*ch Up" (the song is just flat out pure energy -- you become its b*tch as it smacks you upside the head and exhorts you to dance, to move, to do anything but just sit there on your hands), "Funky Sh*t" (my favorite on the album due to its slightly eerie sound), and "Narayan".

If I feel the need to pump up the stereo with something that is fast-paced and energetic, I usually reach first for "The Fat of the Land." If you are a little tired of what the 2000s have served up so far and want to go back in time and explore the 90s, this is definitely one worth checking out. I'd be very surprised if "The Fat of the Land" didn't grab you.

alot of people bash on techno at my high school and while it bugs me, i find lots of people listening to this album. everyone knows its and loves it. from "smack my bitch up" to "firestarter", the rockers to the rappers love this album as i perosnally like "breathe", "mindfields" and "climatize". this album has not a bad song. while some are better than others, none are bad or worth skipping after the first listen. buy this album and enjoy the dark melodies. its a great album for techno-newbs, because its not so dance music-like and more rock or darker than your average mix. i find it also to not be very repetive as most mainstream techno such as like "fat boy slim". buy this album and you should like it.

I heard one of the songs in a store and *had* to buy the CD. It took a while to find it...but it was so worth it. I immediately recognized a few of them as my regular favorites (I had no idea I was a Prodigy fan) and took to the CD right away.

It's packed with energy and driving beats. It's melodic at sometimes, it's consistant but it's varying, it's just amazing. I find it great for climbing sessions or preparing for a competition (or even tests...whatever happens to be the stressor at the time).

Of all the Prodigy CDs I've now heard, this one is my favorite. I'd strongly recommend it into the repetoire of any techno fan.

This is a classic album. It's simply mad as a Hatter. It's as if they took all the sweet-greasy-tasty bits of techno, big beat, industrial and punk and smashed it down into one real trip of an album. Plus, how about the videos for the songs? Totally mental!

After listening to it so many times in the 1990s, I finally got burnt out on it, and sold it for beer money. 10 years later, I had to buy it again and it's fresh as ever. It isn't as if anything new or original as happened since the time this album came out, right? Hint: if you every burn out on an album, put it in storage and don't sell it -- a time will come when you want to here it again.