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Pyotr Ilyich Tchaikovsky Pictures
Artist:
Pyotr Ilyich Tchaikovsky
Origin:
Russian Federation, VotkinskRussian Federation
Born date:
May 7, 1840
Death date:
November 6, 1893
Pyotr Ilyich Tchaikovsky Album: «Piano Concertos 1 & 2»
Pyotr Ilyich Tchaikovsky Album: «Piano Concertos 1 & 2» (Front side)
    Album information
  • Title:Piano Concertos 1 & 2
  • Release date:
  • Type:Audio CD
  • Label:
  • UPC:
Track listing
  • 1Piano Concerto No. 1 in B Flat Minor, Op. 23: Allegro non troppo/Allegro con spirito
  • 2Piano Concerto No. 1 in B Flat Minor, Op. 23: Andante semplice/Prestissimo/Tempo I
  • 3Piano Concerto No. 1 in B Flat Minor, Op. 23: Allegro con fuoco
  • 4Piano Concerto No. 2 in G Minor, Op. 44: Allegro brilliante
  • 5Piano Concerto No. 2 in G Minor, Op. 44: Andante non troppo
  • 6Piano Concerto No. 2 in G Minor, Op. 44: Allegro con fuoco
  • 7Chanson Triste, Op. 40/2
Review - Product Description
Concertos pour piano & orch. : n°1, op.23 & n°2 op.44 - 12 Morceaux, op.40 pour piano solo : n°2 "Chanson triste" / Benno Moiseiwitsch, piano - Liverpool Philharmonic Orch. & Philharmonia Orch., dir. George Weldon
Review - Amazon.com
Benno Moiseiwitsch's elegant style and plush, upholstered tone transformed even tired warhorses into pure magic. If the Tchaikovsky Concerto No. 1 isn't quite as magical as other Moiseiwitsch performances because it often lacks ideal forward momentum, it is a solid performance ennobled by a poetic slow movement of consummate artistry. Unlike the outstanding Pletnev recording of the Concerto No. 2, most older renditions use the cut Siloti edition, and this one even adds a few smaller cuts, but Moiseiwitsch's playing is at its peak here. The filler, the lovely Chanson Triste for solo piano, is a gem, with Moiseiwitsch giving a priceless lesson in keyboard poetry. Ward Marston's excellent transfers help make this a must for historical collectors. Fans of the stereo versions of No. 1 by Argerich, Cliburn, and others will find this disc a useful supplement, illustrating the older, but no less valid, approach of one of the master pianists of the past century. --Dan Davis