Disco de Peter Broderick: «How They Are»

- Título:How They Are
- Fecha de publicación:2010-09-14
- Tipo:Audio CD
- Sello discográfico:Hush Records
- UPC:884501349802
Información del disco
Contenido
- 1 Sidelineimg 4:51
- 2 Human Eyeballs On Toastimg 4:52
- 3 Guilt's Tuneimg 4:32
- 4 When I'm Goneimg 3:48
- 5With a Key4:29
- 6 Pulling the Rainimg 5:29
Análisis - Product Description
After completing work on the elaborate forthcoming
follow-up to his vocal debut, Home, musician/composer
Peter Broderick went into the studio with the goal of
recording and mixing an album in one day live to 2
tape, with no overdubs or punch-ins only voice, piano,
and guitar. How They Are is this record. Known as a
stop-gap release in waning industry terms, the album
sheds the tossed-off connotation, revealing something
altogether sublime in its austerity and candor. This is not
lite Broderick. This is essential Broderick.
follow-up to his vocal debut, Home, musician/composer
Peter Broderick went into the studio with the goal of
recording and mixing an album in one day live to 2
tape, with no overdubs or punch-ins only voice, piano,
and guitar. How They Are is this record. Known as a
stop-gap release in waning industry terms, the album
sheds the tossed-off connotation, revealing something
altogether sublime in its austerity and candor. This is not
lite Broderick. This is essential Broderick.
Análisis de usuario
Alex Tiuniaev
09 Febrero 2011
2 personas de un total de 2 encontraron útil la siguiente opinión:
- Beautiful little album
Peter Broderick is the kind of guy who loves experimentation but never strays too far from the trodden path which is a good thing. How They Are (as opposed to his first "vocal" record, Home) is a much less refined but much more expressive and intimate album. Seven little songs are meaningful enough to convey a message - and at the same time contain enough melodic twists and turns from purely musical perspective. The achingly beautiful Sideline is one of the best songs I've heard in a while. And all of that with just an old piano and quivering yet resolute voice. Bravo, Peter!

