I see people diss this album because the sound isn't "big" enough. If you're looking for the "airbrushed" sound of lush orchestration, multiple percussionists, backup singers, and the huge productions which mark the decline of many great artists, then this album is not for you. Rather, this particular collection recorded live at a club in LA is Neil Diamond stripped down to his rockin' roots; just guitar, bass, drums, and Neil. He rocks your socks off from the beginning of "Lordy" all the way through the closing number, the best version of "Brother Love's Travelling Salvation Show" that I've ever heard. I've loved this album since my college roomate introduced me to it in 1995 and still jam my old vinyl version. I implore you to also discover this ablum and find Neil Diamond at the true height of his stage prowess. The between song banter is fantastic as well (eat your heart out, Wil Ferrel.)

In 2002, it's hard to imagine Neil Diamond sounding this stripped down and soulful, but he does on "Gold" and it is wonderful. This was the late 60's and "LOve on the Rocks" and "Heartlight" were more than a decade away. This cd captures Neil live at the Troubador in L.A. Caught between the Bacharach pop stylings and emerging singer/songwriter Neil seems comfortable, earnest and uncalculating as he rethinks his arrangements for a more intimate (and yes, hipper), venue. THIS is the Neil Diamond who has been covered by the likes of Chris Isaac and Urge Overkill. An intelligent and passionate songwriter and a superb performer. He is clearly having a wonderful time and the versions of the classic tunes here are full of energy. While this is not the masterpiece that Hot August Night is, it is a fascinating counterpoint to the over the top production of that and subsequent albums. The production quality isn't great (ok it's rather poor) but Diamond's small band is tight and Neil himself is splendid. The emotion and energy of this performance surpass Hot August Night. With the orchestra and larger band gone, Gold presents Neil Diamond and his material for the true timeless classics that they are.

It's hard to believe a recording this old could have such great sound. With excellent stereo separation, the sound leaps out of the stereo. I love HAN like most fans, but this is raw and rockin'. He puts so much energy in the music, giving the small crowd a great show. The basic instruments are great, particularly the drums and electric guitar. It's not the massive production of later years, but is still a pleasure to listen to. The best version of "Solitary Man" and worth the price just for the one song.

If only the CD was longer

This is a great album. The version of "cherry cherry" alone is worth buying it for. Fabulous live album all around.

In 1970, Neil Diamond, in his prime and at the peak of his UNI years, is at his most masculine, raspy best here. In this rare and intimate club date, Neil Diamond's stripped-down but solid, boomy rhythm section (possibly in their finest hour here) features the colorfully vibrant electric guitar work of Carol Hunter. Not only do they provide the glue for Diamond to plant himself, but play in and around the melody creating a unique 3D "intertwining" effect. Together with the raw harmonics created by tube amp equipment, are all captured for your listening pleasure in this outstanding, tasty feast for the ears.