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Maurice Ravel Fotos
Artista:
Maurice Ravel
Origen:
Francia, CiboureFrancia
Nacido el día:
7 de Marzo de 1875
Fallecido el día:
28 de Diciembre de 1937
Disco de Maurice Ravel: «Introduction to Ravel-Bolero &»
Disco de Maurice Ravel: «Introduction to Ravel-Bolero &» (Anverso)
    Información del disco
  • Título:Introduction to Ravel-Bolero &
  • Fecha de publicación:
  • Tipo:Audio CD
  • Sello discográfico:
  • UPC:
Contenido
  • 1 - 1Bolero: Introduction; Cue To Unadorned Bolero Rhythm, Part 1
  • 1 - 2Bolero: Bolero Rhythm, Part 2: An Extended Variation Of Part 1
  • 1 - 3Bolero: 'Motto' Rhythm Complete (Instrumentation Will Change On Each New Hearing)
  • 1 - 4Bolero: But Here We Have Snare Drums And Plucked Violas And Cellos
  • 1 - 5Bolero: Section 1: Introduction Of 'The Theme: (The Only One In The Piece) By Solo Flute
  • 1 - 6Bolero: Flute Continues With Part 2 Of Theme
  • 1 - 7Bolero: Section 2: Complete Statement Of Theme By Clarinet As Flute Joins 'Motto' Group
  • 1 - 8Bolero: Introduction Of 'Discordant' Harp Into The Unfolding Picture
  • 1 - 9Bolero: Section 3: Bassoon Introduces Closely Related Variant Of Theme
  • 1 - 10Bolero: ...But Then Veers Upwards, Slowing Rhythm And Introducing New Syncopation
  • 1 - 11Bolero: Section 4: 'Petite' E Flat Clarinet Takes Over Theme, Including Variants
  • 1 - 12Bolero: Section 5: Oboe D'Amore Takes Over Theme But Returns To Its Original Form
  • 1 - 13Bolero: Section 6: Theme Now Shared By Two Instruments: Muted Trumpet And Flute
  • 1 - 14Bolero: Section 7: Tenor Saxophone Takes Theme As Trumpet Replaces Horn In 'Motto'
  • 1 - 15Bolero: Section 8: Theme Taken By Soprano Saxophone, 'Espressivo'
  • 1 - 16Bolero: Section 9: Theme: Celeste, Piccolos And Horn; Motto: Flute And French Horn
  • 1 - 17Bolero: Section 10: Theme: Oboes, Horns, Clarinets; Motto: Plucked Violas And Violins
  • 1 - 18Bolero: Section 11: Theme Taken By First Trombone, Complete With Jazzy Slides
  • 1 - 19Bolero: Section 12: Theme: Flutes, Oboes, Clarinets, Sax; Motto: Bassoons, Horns, Trumpets
  • 1 - 20Bolero: Section 13: Violins At Last Take The Main Tune, Joining Massed Winds
  • 1 - 21Bolero: Section 14: Violins Divide Into Four Groups, Each 'Double-Stopping'
  • 1 - 22Bolero: Section 15: Trumpet, Trombone 2 And Tuba Join The Foreground
  • 1 - 23Bolero: Section 16: First Trombone And Soprano Saxophone 'Rejoin' Theme
  • 1 - 24Bolero: Section 17: Fortissimo; All Strings 'Double-Stopping'; Trumpets Added
  • 1 - 25Bolero: Section 18: Entire Orchestra Now Employed, 'As Loudly As Possible'
  • 1 - 26Bolero: Section 19: Sudden, Amazing Change Of Key, Lurching From C To E Major
  • 1 - 27Bolero: Section 20: Key Now Lurches Back To C, As Jazzy Trombones Whiningly Protest
  • 1 - 28Bolero: Cue To Complete Performance
  • 1 - 29Bolero: Bolero (Complete)
  • 2 - 1Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Opening Figure On Flute; Rising, Falling...
  • 2 - 2Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Same Again, With Emphasis On Delicacy Of...
  • 2 - 3Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Answering Variant, Accompanied By Plucked...
  • 2 - 4Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Reminder Of Opening Figure
  • 2 - 5Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: ...And Now Its Rhythmical Mirror Image, Or...
  • 2 - 6Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Answering Phrase 2: A Near-Inversion, Over...
  • 2 - 7Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Pivotal Phrase 3, Reversing Direction But...
  • 2 - 8Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Reprise Of Phrases 1 And 2, But Now On...
  • 2 - 9Ma Mere L'Oye: 1. Pavane De La Belle Au Bois Dormant: Further Reprise Of Phrase 2, Now On Violin...
  • 2 - 10Ma Mere L'Oye: 1. Pavane (Complete)
  • 2 - 11Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Introduction; Opening, With Multi-Metre Rising Scales...
  • 2 - 12Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Changes Of Metre Continue As Solo Oboe Introduces...
  • 2 - 13Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Oboe Yields To Cor Anglais For Theme Two, Against...
  • 2 - 14Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Theme One Returns, Shared By Clarinet And Flute; Muted..
  • 2 - 15Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): 'Motto' Rhythm Dominates As Intensity Increases From...
  • 2 - 16Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Fear Subsides As Theme Two Returns, Again In Cor...
  • 2 - 17Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Sensational Sound Effects Evoke A Wood At Night, With...
  • 2 - 18Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): Texture Thins; Theme One Returns, Delicately Scored...
  • 2 - 19Ma Mere L'Oye: 2. Petit Poucet (Tom Thumb): The Main Part Of Movement Ends, With Waltz-Like March...
  • 2 - 20Ma Mere L'Oye: 2. Petit Poucet (Complete)
  • 2 - 21Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: Introduction; Opening (Introductory)...
  • 2 - 22Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: Oriental-Orchestral Equivalent Of An...
  • 2 - 23Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: ...Oboe 'Answers' With A Very Slightly...
  • 2 - 24Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: Expanded Derivative Of The 'Telephone...
  • 2 - 25Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: Fragments Of Theme In Flutes And Cor...
  • 2 - 26Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: 'Gamelan' Music From Flute And Piccolo...
  • 2 - 27Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes: Arrival Of Empress; Upper Strings Yield...
  • 2 - 28Ma Mere L'Oye: 3. Laideronnette, Imperatrice Des Pagodes (Complete)
  • 2 - 29Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Opening, Waltz Theme From Clarinet...
  • 2 - 30Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Characteristic Pattern Of Two Short...
  • 2 - 31Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Clarinet, Flutes And Violas, With...
  • 2 - 32Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Varied Reprise Of Opening, Entry Of...
  • 2 - 33Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Again The 'Beast' Growls; Again The...
  • 2 - 34Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Derivative Of Beauty's Theme From...
  • 2 - 35Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: 'Beast's Theme' Rises In Pitch With...
  • 2 - 36Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: 'Beauty', 'Beast' And 'Caution' Motifs..
  • 2 - 37Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: 'Beast' (Contra-Bassoon) Climbs Ever...
  • 2 - 38Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete: Harp's Upward Glide Heralds The Moment..
  • 2 - 39Ma Mere L'Oye: 4. Les Entretiens De La Belle Et De La Bete (Complete)
  • 2 - 40Ma Mere L'Oye: 5. Le Jardin Feerique: Introduction; Opening Bars Are Unfurled By The Strings Alone
  • 2 - 41Ma Mere L'Oye: 5. Le Jardin Feerique: The Rhythmic Basis, And Its Guises. First, A Question...
  • 2 - 42Ma Mere L'Oye: 5. Le Jardin Feerique: The Question Intensified: 'Oh Where Went... My Childhood?'
  • 2 - 43Ma Mere L'Oye: 5. Le Jardin Feerique: The Answer, With A Falling Inflection: 'Gone Is Your...
  • 2 - 44Ma Mere L'Oye: 5. Le Jardin Feerique: The Plea: 'Bring Back My Child-hood!'
  • 2 - 45Ma Mere L'Oye: 5. Le Jardin Feerique: The Response: 'Seek In...Your Mem'ry. There It...Will Be.'
  • 2 - 46Ma Mere L'Oye: 5. Le Jardin Feerique: Ravel's Use Of Tone Colour To Change The Feeling Of The Music
  • 2 - 47Ma Mere L'Oye: 5. Le Jardin Feerique: Further Illustration Of The Same Point
  • 2 - 48Ma Mere L'Oye: 5. Le Jardin Feerique: Continued
  • 2 - 49Ma Mere L'Oye: 5. Le Jardin Feerique: The Nobility Of The Strings
  • 2 - 50Ma Mere L'Oye: 5. Le Jardin Feerique: Bells Evoked By French Horns; The Final, Opulent, Moving...
  • 2 - 51Ma Mere L'Oye: 5. Le Jardin Feerique (Complete)
Análisis de usuario
9 personas de un total de 9 encontraron útil la siguiente opinión:
- The best of its kind--and at budget price!

Naxos has done it again! After beginning several new series--the lives of famous composers, introductions to operas, Shakespeare plays--they are now offering one called "Classics Explained." In the first three entries, one long or two shorter works are analyzed, practically bar by bar, on two CDs by writer and narrator Jeremy Siepmann; and from what I have heard, this is going to be the most perfect effort along these lines yet--and with a budget price, something not to be passed up. Each CD set is accompanied by a thick booklet that is divided into 15 sections: The Composer and the Work, A Biographical Sketch, Place and Importance, The Work's Reception, an Essay, the Track List, an extremely detailed analysis (all the words of which are given in the text), Challenges to the Interpreter, Structural Overview, Ways of Listening, What Music Is, What Music Isn't, Guide to the Composer's Tools, The Basic Forms of Music, and a Glossary. Obviously, some of these chapters will be the same from set to set, others specific to the work at hand. The only extra step this can go--and I have suggested this to Naxos--is to make videos of the orchestra actually playing the selections. Vivaldi's "The Four Seasons" (8.558028-29) spends a good deal of time on the Spring section to show how truly complex this simple-sounding movement is, and then gives a slightly quicker overview of Winter, Fall and Summer. In Brahms' "Piano Concerto No. 2" (8.558030-31), the first CD is devoted to the first 2 movements, the second to the last 2. Finally in the Ravel set, the first CD analyzes "Bolero" and the second "Ma Mere l'Oye." In all cases, each analysis is followed by an uninterrupted playing of the entire movement or section. The music is, of course, drawn from Naxos' endless line of its own recordings. And, do not fear, the explanations are quite non-technical for the most part, and the glossary will help when the inevitable technical term (always explained by the narrator) is used. Grab them all.