A lot of rap cds these days are thick in production, but thin on content. Well, Ludacris is the opposite, but not in terms of music. Luda's attributes are primarily length, while thickness isn't something he's known for. But who cares? Most rappers are neither long, nor thick. The fact that Ludacris is so long (we're talking a foot, buddy) more than makes up for his Sharpie marker thinness. Yeah, we cut (and I do mean cut, at least from my end), but I'm not about to put my man down because I never got paid; I never expected money. In fact, aside from some internal bleeding and an upset stomach a la George Michael, I'm quite satisfied with the experience I had. Luda is truly a man of the 21st century: he doesn't discriminate. That you can get with girls and guys alike just shows that you are open-minded, so I'll never put Luda down.

Its hard to dispute that Chicken N Beer was not his worst album. So with that said, Red Light District is much better. For better or worse, less skits and more music. Basically Luda is starting all over again. Back for the 1st time and Word of Mouf can be argued as his best, all depends on opinion. This one is not as solid as those 2 but not a disappointment like Chicken N Beer. There's no regular guests spots on this album all new faces. They do a good job, but I wonder what a Luda album with no guest spots would sound like. For the most part there are no songs that you just cant listen to but there is some filler, maybe 2 or 3 songs. He's not really rappin' bout the south all that much anymore, its more about how much money he has. Which is a lil' surprising because usually an artist starts rappin' about all his $, he loses all hunger and makes no good music. This album is an exception to the rule. All in all a solid album, worth the buy.

Ludacris is one of my favorite Hip-Hop stars for several reasons. All four of his releases have gone multiplatinum netting sales of 2 million of more. Ludacris has been able to crossover into mainstream/Pop America while still retaining his Hip-Hop roots. He's a character rapper like Missy Elliott with a larger-than-life persona and he does not try to act like he's this hard rapper who's only rapping about the hard life. Also, each of his CDs have spawned at least 2 or more sizable hits, which is encouraging for other rappers.

Number One Spot-Produced by DJ Green Lantern and containing elements of Bossa Nova as performed by Quincy Jones, this was Luda's second single which unfortunately did not perform as well as some of his other hits nor as well as the title sets forth. The Austin Powers-sounding cut has a lot of energy to it and would incite anyone to dance and get-to-moving. It is narcisstic, but what rapper isn't? And Luda makes a joke out of it somewhat. A+

Get Back-Produced by The Medicine Man and Tic Toc, first single off the release, which did really well on the singles chart. The song requires no explanation because ALMOST everyone and their grandma knows this song. A-

Put your Money-Produced by Icedrake and featuring DMX, here's one of those hard-cutting, energetic DTP sounding song where Ludacris does his shout-outs for the chorus. Couple the natural energy of the song and Luda with DMX and you have an out-of-there song, which is good, but it wouldn't work on radio. B

Blueberry Yum Yum-Produced by Organized Noise (Outkast) and featuring Sleepy Brown, this sounds like a cross between a horror movie theme and some freaky scientific music, which fits the overall mood of the song: getting high. Whoever crafted this insane beat was probably getting high when making it. I don't like the theme for younger peeps to listen to, but you can't deny its creativity and its appeal. B+

Child of the Night-Produced DK All Day and featuring Nate Dogg and elements of Portuguese Love performed by Teena Marie, this slow, introspective cut is very inspirational as Ludacris admits his past and the past of so many people from lower-class living. However, it's a song that could be used in so many ways to inspire those "children of the night." I like the song because it does what Hip-Hop is so supposed to, which is to be self-reflective, but also motivational. A+

The Potion-Produced by Timbaland. I feel that Timbaland and Ludacris make a good match with their similar eccentric styles. Luda's wacky persona and Tim's mad beats: they should craft a whole CD together. Unfortunately, this song was never officially released and it competed with Number One Spot for radio spins, it never garnered the attention it deserved. It's a tight club joint with the right production and Luda's trademark spittin'. A+

Pass Out-Produced by Needlz, sounds like a DTP song. It sounds like the obligatory rap song that so many rappers have to do, but just in Luda's style. It has a similar sound to Put your Money with DMX. The song is alright, but for a rapper like Luda with songs like The Potion, Number One Spot, Get Back, Child of the Night before it, it does not sound right, simple as that. C

Spur of the Moment-Produced by L.T. Moe and featuring DJ Quik and Kimmi J, it sounds like that Snoop Dogg/West Coast, early 90s West Coast sound. It's about doing things "spur of the moment" and simply living the edict to "carpe diem" or seize the day. This cut has a nice throwback appeal and really does feature DJ Quik with a straight rap. B

Who Not Me-Produced by Craig King and featuring Small Boy and Dolla Boy and containing interpolations from Stick Em, this is a featurette for the new members of DTP, Small Boy and Dolla Boy, and it has that hard, DTP sound to it, but it works better than the other couple of songs that I bemoaned before. The chorus is catchy and energetic. B-

Large Amounts-Containing elements of You've Got to Pick a Pocket or Two, this eccentric, wacky song about the hard knocks of those like Luda who make it big and make that chedda only to have family members and friends all around trying to see what they can get, those large amounts. The song tells the truth with a good rap and a weird but tight beat. It's a nice song and is better than the 3 that precede it which resurrects the CD. A-

Pimpin' All Over the World-Produced by Polow Da Don and Donnie Scantz and featuring Bobby Valentino, this was the third single which to my surprise formed way better than I expected on the CD and enabled the CD to experience a sales surge and resurrection. It's kind of popish, but its global element is tight and allows "children of the night" to experience Hip-Hop differently which of late has been about living in one small world or community, but Luda allows his rap to transcend the ghetto to experience and appreciate the culture or in this case, the women all over the world. A-

Two Miles an Hour-Produced by DJ Toomp and containing elements of Little Child Runnin' Wild performed by Curtis Mayfield, this slow, DTP sounding jam is all about those who idolize their cars. I'm sure Luda was inspired by "2 Fast 2 Furious" and even his role in the ground-breaking "Crash." The song is aight, but I can't get into really. B

Hopeless-Produced by Heazy and featuring Trick Daddy, this slow rap song is all about being at the very "rock bottom" with no subsequent way to go but up. It's in the vein of Child of the Night in exposing the hard knocks of life in a way that despite the title still provides hope. Trick Daddy's rap fits the style of this song, and he spits some encouraging stuff. A

Virgo-Produced by Salaam Remi and featuring Nas & Doug E. Fresh is a throwback cut that features rappers who are WHAT CAN IT BE? Virgos. It's a nice relief after the hard realities set forth in the latter song, but what's the point? A waste of talent with Nas and Doug. B-

Overall, this CD is great especially compared to the lackluster 2003 Chicken & Beer, which only contained a few actual good songs on Ludacris' level. With this CD, it seems as if Luda refocused and experienced a creative renaissance as the songs are tight. It seems that Luda is slowly matriculating into status of being a rap legend, which he deserves in another 10 years. The CD has sold 2 million copies, and it's nice to look forward to what Luda will offer next.

Finally Luda has dropped his 4th solo album, The Red Light District, which I have been waiting for since Chicken N Beer dropped last year. It's the top album from the south this year in my opinion (with T.I.'s Urban Legend coming in a close second) and definately in the top 5 overall in 2004.

1.Intro-Produced by Timbaland-5/5(for an intro)-Timbo drops a hot beat for a great 1:25 intro

2.Number One Spot-Produced by DJ Green Lantern-5/5-Green Lantern did a great job with the Austin Powers samples, and Luda rips it up

3.Get Back-Produced by The Medicine Man & Tic Toc-5/5-Great song, not very lyrical (not that type of song) but great nonetheless

4.Put Your Money ft. DMX-Produced by IceDrake-4/5-Hot production, and Luda's flow is tight, but I was disapointed after reading that there was going to be a DMX guest apperance on this CD. Let me put it this way, he doesn't even do the whole chorus.

5.Blueberry Yum Yum ft.Sleepy Brown-Produced by Organized Noize-3.5/5-Another disapointment with Organized producing this song, the beat isn't bad, but it's kinda sad when the chorus (done by Sleepy Brown) is the highlight of the song.

6.Child Of The Night ft. Nate Dogg-Produced by DK-5.5/5-The best song on the CD, sick production, Luda is great lyrically and Nate Dogg goes perfectly on the chorus

7.The Potion-Produced by Timbaland-5/5-More amazing production from Timbaland, definately destined to be a club banger

8.Pass Out-Produced by Needlez-4/5-Annoying chorus, but nice flow and production save it

9.Skit

10.Spur Of The Moment ft.DJ Quik & Kimmi J.-Produced by L.T. Moe-5/5-Great west coast feel, definately sounds like a DJ Quik production, and Quik & Luda feed off of eachother great

11.Who Not Me ft.Dolla Boy & Small World-Produced by Craig King-4/5-More crunk feeling song with 2 new members of DTP, based on this song, they seem good but not as good as Shawnna, Fate & I-20

12.Large Amounts-Produced by Vudu-5/5-Luda is still great lyrically, with great production and even better sampling

13.Pimpin' All Over The World ft.Bobby V.-Polow Tha Don-5/5-This song has a great feel to it.We all know that Ludacris and probably all rappers aren't pimps, and more than half the time they use "pimping" incorrectly, but its a hot song anyway.

14.Two Miles An Hour-Produced by Polow Da Don-4.5/5-Pretty nice production, pretty annoying chorus but Luda shows he's nice lyrically even in a song strictly about cars

15.Hopeless ft.Trick Daddy-Production by Heazy-5/5-Great song with Trick Daddy

16.Virgo ft.Nas & Doug E. Fresh-Produced by Salaam "Tha Chameleon" Remi-5.5/5-I can definately see this song being a classic 10 yrs from now. Doug E. Fresh on the beatbox in the background adds a great feel, with an extremely catchy chorus, and Nas & Luda are freakin amazing

Highly reccomended, must have for Ludacris fans

These "jokes" about Luda's, er, privates were funny the first time, but now it's just gettin' really old and repetitive. If I were whoever's doing that, I'd stop if I were you, 'cos it just ain't funny anymore and it's really annoying if you're someone who actually wants to read some real reviews.

This person has no life, like the person who reviews Chingy albums about 300 times each and gives them all 5 stars... That ain't even real hip-hop. Ludacris is considerably better than that and Red Light District is a good album - second best behind Word of Mouf.

Highlights:

Number One Spot

Get Back

Child of the Night

Spur of the Moment

Pimpin' All Over the World

Hopeless

Virgo