Korn: a word that will be remembered decades later for revolutionizing the age of nu-metal as Metallica is remembered for ushering in the age of hard rock. Perhaps not so much for the band itself, but definitely for this self-titled album. Korn took a formula of lyrics dealing with teen angst and other everyday issues mixed with harder-edged music started by such bands as Rage Against the Machine and Nirvana, added their own twist, raised the level of aggression, poured their heart and soul into the mix, and created an album that is an influence and guideline for bands of the past, present, and future.

Korn's music is a dark and angry aggro, groove-laden, downtuned, in-your-face brutal assault of all five of your senses. It's been called crossover, pimp rock, even rapcore. Whatever you call it, I call it incredibly intense and personal on the deepest darkest levels. Featuring the dynamic duo of Head and Munky whose freaky, yet intelligent down-tuned guitar work is a trademark of the Korn sound, Fieldy known for his wicked bass lines, and David whose work on the s/t is nothing short of brilliant (by far his best work of all of the Korn albums), together creates a sound that at the time was unlike any other.

Enter: Jonathan Davis. It is Jon's presence on this album that adds the true essence of brilliance by showcasing not only his talent as a songwriter and vocalist, but by capturing the heartfelt emotion of anguish and pain, hate and anger, of his innermost demons that were released through the making of this album. This album is a part of Jon Davis. Whether dealing with the issues of child abuse, drugs, sex, high school, or peers Jon Davis tells you how it is, straight-forward and in-your-face, brutally honest and real. From melodic crooning to hardcore screams, psychedelic barrages and screams of anguish, it's all there for the listener to absorb and be amazed.

From start to finish this cd will have you on the edge of your seat. Whether from fright or anger, stunned or mesmerized, this cd will not fail to move the listener. Personal favorites on the cd are "Clown", "Ball Tongue", "Blind", "Faget", "Divine" and "Predictable" although every single song is a masterpiece in itself. Even if music becomes obsolete in the future somewhere this album will still be around blowing someone away. And it's not just because of the music. No other album has captured the darkness and beauty of human emotions so magnificently as Korn's s/t album. Like I said, Korn took their heart and soul and put it into this album creating something that will probably never again be seen or heard. That is why Korn will never again make an album that is half as good as the s/t. They used up all of their emotions that truly makes an album special, to create the first one.

Korn, I sincerely thank you for this gift that you have so unselfishly and assiduously created and given to the world. Peace.

What Can I Say. This Is Just A Masterpiece. I Mean Pure Gold. The Songs Wont Make Alot Of Sense Until You Understand What Jonathan Davis Is Talking About But It's A Journey All In it's Own To Become One Of The Children Of The KoRn. This Showcases Bass At It's Very Best With The Most Emotional Vocals Since, Well Since Never. Heres My Track by Track Review.

1.Blind- Great Opening For An Albumn

When you listen to this C.D., make sure you remember the year it came out: 1994, when nu-metal WAS still new. Jonathan Davis and Company popularized and essentially created this genre and gave birth to so many other bands. Korn are to nu-metal as Nirvana are to grunge: they weren't the first ones on the scene, but their respective genres wouldn't be the same without them.

Speaking of Nirvana...no, Korn didn't "kill metal." In a way, they actually helped save it. You see, grunge was the genre of choice in the early 1990's. There were a few metal bands (i.e. Prong & Megadeth) who remained, but heavy metal was more-or-less dead during that period. Then, around 1994, it was time for grunge to disappear. This may be because bands like Nirvana & Soundgarden broke up, or it may be because bands like Helmet and Korn formed. It may not be the heaviest music around, but nu-metal is a lot more metal than grunge was.

Korn do combine elements of Helmet and Rage Against the Machine, but (for the most part) this album had a very original sound. Head and Munky get by without soloing (as does every nu-metal band), because they are two of the most talented axemen in nu-metal. Their bottom-heavy, downtuned guitars (another Korn innovation) rumble and crunch.

Now, with two guitarists, one bass player (which, granted, is usually inaudible), and a catchy drummer, one might think this is a fairly typical nu-metal band. That's where Jonathan Davis comes in. He helps separate Korn from everyone else. Calling him "weird" and "crazy" are understatements. Jonathan, who is supposedly a survivor of sexual abuse, is a true head case who puts his heart and soul into every song (as if he's reliving that childhood drama). All of these things and more make this album an all-time great. Almost every song is great.

1. "Blind" is Korn's first-ever single, thus it is their first hit song. And to this day, it may still be their most famous song. It begins with David (the drummer) playing distantly, with light tapping on the high-hats, but as soon as the opening riff begins, it's an instant classic. It is a simple, but world-renowned guitar riff, which whines a little and pierces the air like a dagger. The other guitarist comes on and initially makes a low beeping noise, but both guitars eventually conjoin, and Mr. Davis lets out a cry of "Are you ready?!" This is followed by a funky groove and restrained vocals. The song builds, and the last verse is highlighted by an ascending yell of "I can see, I can see, I'm goin' blind." The songs continues to build, gaining volume and speed. Then, when you'd think there would be a climax... the song pauses (for about a second) and the remainder of the song is light strumming. This whole song is very catchy, and it has good lyrics.

2. I've always thought it's cool how Jonathan can go from calm to insane in the same song, and "Ball Tongue" is a perfect example of that. This is one of the heaviest songs on here, with punching guitars and a famous soft to heavy, calm to crazy song structure. The choruses have yelling and some scat, and Jonathan gets so out of control that he needs to gasp for air. The ending drums sound very raw (they're always raw on this C.D., but here they sound like pots and pans.)

3. "Need To" has a Helmet-esque stop, start beat and a hip-hop-ish drum beat.

4. "Clown" opens with a dumb little skit, with the band members arguing in the recording studio. When the actual song begins, there's a good give-and-take trade off between the guitars (which are almost "booming") and drums. They eventually come together and play, though. Vocally, most of this is sung with an occasional whisper. The choruses are louder, but the real yelling begins during this song's bridge. Lyrically, this song is about a Korn hater, dressed as a clown, who yelled at the band...before getting pummeled by a security guard.

5. "Divine" has funky staccato riffs, and, near the end, Jonathan goes from a growl to a yell.

6. "F*get" has more stop-start, almost bobbing riffs. Many people perceive this song as a homophobic message, but it is not. It's about a rumor that Jonathan (who builds to a yell several times in this song) was gay in high school. Evidently, this was not a rumor he was happy with.

7. "Shoots and Ladders" is very creepy. The first minute and twenty seconds is a bagpipe solo, then the guitars begin and Jonathan sings, very ominously, many different childhood nursery rhymes. His singing turns to panting around the 3:35 mark, then he lays down another ascending yell of "Nick-nack, patty-whack, give the dog a bone" (with a background of crunchy guitar riffs and simultaneously playing drums.)

8. "Predictable" opens with a rusty sounding riff, which is only audible in one headphone. This is followed by a bark of "Go!," distorted and lurching riffs, and thumping drums.

9. "Fake" begins with a fast riff and drum work. Things come down for the verses, which have tame, brooding vocals. But you know it won't last...the song ends with Jonathan spouting more gibberish and even experimenting with his death metal voice.

10. The guitars on "Lies" aren't as dominating as usual. There is some swirling guitar noise, but I enjoy the catchy, jazzy drumming and weird growl/belch that Jon lets out.

11. "Helmet in the Bush" has a chugging riff, and more supple crooning (with some whispering) throughout. It ends with a towering, demonic voice, but, for the most part, "Helmet in the Bush" is rather anti-climatic and forgettable. It's the only track on this album that falls flat, but it is immediately overshadowed by...

track 12, "Daddy." This song is infamous and has obscene lyrics about the singer's mother molesting him as a child. The beginning, which is properly and clearly sung, is kind of confusing, because it is an apology to his mother (!) The next part of the song (after the first ten seconds) has almost spoken word vocals, with lyrics like: "Child, you look so pretty..." From that moment on, Jonathan becomes progressively more crazy. "Daddy," the only song Korn have vowed to never play live, is a personal favorite because by its end, Jonathan has officially lost it. He is now crying the verses. The feelings and emotion on display here are almost indescribable. You just can't fake this kind of emotion! He is yelling and crying; hurt and livid. The words "sad," "depressing," "touching," and "intense" don't begin to describe this song. Plus, it is sung with so much conviction, the listener can really feel what he is feeling. The listener is emotionally drained by the time this song hits 15 minutes. At about that time (when there is no more yelling, only sobbing), some female vocals make an appearance, sing for a little bit, and the song draws to a close.

So, this might be the best hard rock/metal album of our time, and the best nu-metal C.D. ever. Most Korn fans think this is their best album, and there are even many people, who aren't Korn fans, that love this album.

I think there are a few greater metal albums that came out in the 1990's (i.e. "Vulgar Display of Power"), and there is even another Korn album that I prefer over this one ("Follow the Leader.") But Korn's self-titled debut is definitely in my top five for favorite C.D.'s. Part of it's charm is that it is Korn at their most raw, emotional, stripped down, and pure. If you listen to "Untouchables," then come back and listen to this, it sounds like two completely different bands.

This album is a must for all nu-metal fans, and it's probably even essential for casual metalheads. But, if you're new to the band, even though this might be their finest hour, it isn't necessarily a good representation of them (since it is so raw). One thing is for certain, however: if you only buy two Korn albums, make sure this is one of them.

Now, if you're looking for family friendly, light-hearted music, you've purchased the wrong C.D. But if you want an incredible C.D. that is a wild roller coaster of emotion, look no further.

Not only is this album one of the best albums KoRn has ever released, but it's one of the most influental also. KoRn is a band that is known best for one thing. It's not their vocalist, it's not their music, and it's not their obscene styles. It's how they infleunced the world of music. KoRn was the first band ever to use two string guitars and at this very moment a lot of other bands are copying this band's guitar styles. Not too many bands will take the road they take though with vocals and lyrics which is too bad cause they have a very good setup. Their lyrics (for the most part) talk about how screwed up life is. Not only that but they have songs that make you want to beat someone up, songs about feelings (hate usually), and songs about the singer Jonathon Davis. In this album you'll hear more about Jonathon Davis in it than any of the other albums you'll hear from KoRn. That's good though cause the band knows how to play when they talk about Jonathon cause Jonathon is one messed up dude. Your about to find out why with a few of the songs on here. Not only does this band feature good guitarists (one no longer is with the band sadly so now there's only 4 band members) but there is a crazyass bassist, an outstanding vocalist (hardly anybody can match the emotion Jonathon has), and a nice drummer that keeps up the pace with the songs. There is no reason not to buy this album because this album influenced a lot of bands. Were talking MUSIC HISTORY here folks!

Song ratings highest = 10 Lowest = 1

1. Blind: 9/10 An outstanding song to start off the album. It begins with some peaceful guitars. Take in the peaceful guitars cause it's the only break you'll have until Shoots And Ladders. The song then turns into a mammoth of a song with the famous two string guitars plowing away. The vocalist is the star for the most part on here though. One of the highlights off the album

2. Ball Tongue: 8/10 Ummm this song sounds like it was recorded at a farm with those weird noises in the background. It's a highly aggressive song filled with some exetremely heavy guitars. I adore it.

3. Need To: 8/10 Another good song. I like the bassist on here a lot. The vocals sound really good on here. Plus the guitars make it feel horribly dark. Not sure if I like the part where Jonathon yells why over and over.

4. Clown: 10/10 Another highlight. It's got a very heavy groovy feeling to it. We all know what the song is about. The guy who slaped Jonathon on stage.. yea. He's getting his revenge by dissing the guy with this song while at the same time making it a big hit thanks to the insanely great guitars on here.

5. Divine: 9/10 KoRn goes thrash metal. It's an awesome song without a doubt and definitly one of the faster songs the band made. Very short also.

6. F*get: 10/10 A third highlight off the album and there's still a couple more highlihts left to go through. Another highly dark song with very very heavy guitars. The song is about Jonathon again. His life at high school. His life must have really sucked. My third favorite off the album.

7. Shoots And Ladders: 7/10 Another highlight off the album. This was my 2nd KoRn song I listened to (first was Ya'll Want A Single). It's an awesome song about nursery rhymes. No band could have done it better than KoRn. Very funny. Although the album slows down at this point.

8. Predictable: 5/10 My least favorite off the album. The album doesn't pick up until after this song. It's a very slow song. It's good for keeping up the pace of the album though.

9. Fake: 8.5/10 It speeds up here. I seem to be the only person who likes the vocals here for some reason. It's a very awesome song filled with once again a very good guitar performance.

10. Lies: 10/10 My 2nd favorite. This song is so freakin underrated I hate it. It's exetremely dark and probably one of the best guitar performance ever made by the band. The vocalist is amazing here. There is no reason at all not to love this song.

11. Helmet In The Bush: 7/10 Only soft song off the album. Enjoy the break cause a really heavy song is coming up next. This song has nice guitar beats. The lyrics suggest the song was written by Head. It's very good.

12. Daddy: 10/10 My favorite off the album by only a small ammount This song is so heavy.. ah man. Only KoRn could have made a song like this. Only KoRn! The song was ment to place the blame on Jonathon's parents even though it was really his neighbors that raped Jonathon. Jonathon felt his parents could have done more to protect him from his neighbors. Anyways It's a highly powerful song and Jonathon breaks down in the end. The guitars once again are a strongpoint here.

---------

So this is music history folks. You feel ready to buy one of the greatest albums in nu metal history? Go right ahead. This album is for fans of nu metal and hard rock. Aren't a fan of the genres? I suggest you don't get it then. You woundn't be able to understand how good this is then. It's sad but it's true. Bye now fellow KoRn fans!!! Stay KoRn.

Ps: This is their best album. If your ready to spoil yourself with KoRn go ahead and get this. If you don't feel like spoiling yourself, get Follow The Leader. It's also a good intro to the band.

This is Korn at their best. The self-titled debut managed to beat out all their following efforts, and remains their best album even after being around 6 years old. Their recent work with Issues doesn't come anywhere close to this album. Here's why...

The album is very seamless. It seems as though the tracks just move along, one after another, and are very flowing. That's not to say peaceful though...Korn will pick you up and break your ear lobes before dropping you off. From beginning to end, this can easily be called one of the best Alternative/Metal albums of all time. It's emotional, it's trashy, it's violent, and it's the kind of stuff you headbang to, all at the same time.

If you want to see Korn's best work, I suggest you buy this CD before anything else. If you're a Korn fan that doesn't own this already, you must buy this. It's a must have for any fan of rock music as well. It makes me sad that Korn actually reached this height when their first came out but didn't manage to maintain the momentum, putting out the dismal Life Is Peachy, followed by the dissapointing Follow The Leader, then finally trying to reach back and grab whatever Korn they had left in them for Issues...but Issues still didn't capture the sheer rage and emotional torment displayed in the album. So what are you waiting for? Do yourself a favor and pick this album up now!