Just a few years after "Up Where We Belong" topped the charts, Joe Cocker found himself struggling to earn the attention of the audience he had just regained. It wasn't that he was recording uncommercial material. If anything, it was because he was trying too hard, as 1986's Cocker proves. He works with a variety of producers on the album, yet they all arrive at the same slick, mildly synthesized, vaguely soulful adult contemporary sound...There are some good moments on Cocker that do justice to his still-robust voice -- "Shelter Me" is a reasonably entertaining new effort, and Marvin Gaye's "Inner City Blues" was a good cover choice, as was Randy Newman's "You Can Leave Your Hat On," even if Richie Zito's production on the latter is a little too slick...Cocker winds up being another uneven effort from a talented singer. ~ Stephen Thomas Erlewine, All Music Guide

Just a few years after "Up Where We Belong" topped the charts, Joe Cocker found himself struggling to earn the attention of the audience he had just regained. It wasn't that he was recording uncommercial material. If anything, it was because he was trying too hard, as 1986's Cocker proves. He works with a variety of producers on the album, yet they all arrive at the same slick, mildly synthesized, vaguely soulful adult contemporary sound. There are some good moments on Cocker that do justice to his still-robust voice -- "Shelter Me" is a reasonably entertaining new effort, and Marvin Gaye's "Inner City Blues" was a good cover choice, as was Randy Newman's "You Can Leave Your Hat On," even if Richie Zito's production on the latter is a little too slick. Cocker winds up being another uneven effort from a talented singer. ~ Stephen Thomas Erlewine, All Music Guide