Amy Ray's affection for three-chord songs (usually in a I-IV-V pattern) unfortunately culminates on this album with "Shame on You". The fact that the song exhibits electric guitar isn't so much of a surprise; "Touch Me Fall" from the album "Swamp Ophelia" demonstrated a willingness to break from the limitations of acoustic sound (as does "Ophelia's" album sleeve, showing a smashed acoustic). While one could argue that Ray's songwriting skills have always been more raw, emotion-laden, and simple, it appears to me that the long-term effect this has had on their albums has been a gradual separation in the quality of the songwriting between Ray and Emily Saliers. Saliers maintains reasonably well here, with contributions such as "Leeds", "Burn All the Letters", and "Everything in Its Own Time". As a result, there is a schism between the two's compositions. Without a doubt, their diverse approaches were obvious from the outset, but Saliers' superior instrumental skill and thoughtful lyrical talent simply outstrips the considerable emotion Ray brings to the album. (A telling detail is chronicled on "1200 Curfews" where Amy insists that guitar lessons are not necessary -- a true statement, but sadly, reflecting an approach that has given her less longevity as a quality songwriter.) All in all, "Shaming of the Sun" is a decent album, but mainly because Saliers shoulders the load.

This album has often been referred to as one of the weaker Indigo Girls albums, and I have to admit that I tend to agree on this; but since there are no really weak albums by the duo, maybe it doesn't really matter that much.

The problem may be that many tracks, though seperately fine songs, do not seem to have the quality that make you remember them and want to hear them again. And generally this is probably the least melodic Indigo Girls album; it is also among the most electric, with electric guitars and drums on most tracks.

The albums starts off greatly, though, with one of their coolest rockers, "Shame on You", written by Ray. The opener is followed by another highlight, Emily Saliers' melodic "Get Out the Map".

There are obviously other solid tracks, but apart from the two first none really stand out.

On second thoughts, "Don't Give That Girl a Gun" and "Everything in its Own Time" also deserve to be brought out.

Though not their best album, still an important and appreciated release.

Though the music doesn't hit me with the same strength that the Swamp Ophelia album did, the power of the music on Shaming of the Sun is undeniable. Shame On You shows Amy's softer side, which is a joy in and of itself. Emily gives us a soft new lovie tune in Get out the Map. Shed your Skin is strong, powerful, and full of shedding powers. Leeds and Everything in it's own time are two of Emily's best songs. Thought is a mite different than some of their previous stuff, a true and intelligent fan will not be able to put it down. Go GIRLS! ;c)

As a recommendation from a friend, I purchased the Shaming of the Sun album by the Indigo Girls. And I wasn't disappointed. A country fan of Mary Chapin, the Girls are just as wonderful. Their song writing abilities, their harmonies, and their excitement are unbeleivable. So much so, I ran out and bought the rest of their albums. I loved the songs "I'm Alright" and "Leeds". Overall, I await the next album, and I anxiously await their arrival in Maryland to see them perform live in concert. I proudly say that I am a new IG fan, one that's here to stay.

... the Indigo Girls are really drifting apart musically. Emily Saliers is becoming increasingly poetic, writing folk in a high, metaphorical style, while Amy Ray seems more interested in bluntly political power ballads. Shaming of the Sun really feels like two album that got mixed up in the recording studio, not like the team efforts that the previous albums have been.

This doesn't mean it's a bad album; far from it. It's difficult to see who it's aimed at, though; as an inveterate acoustic folkie I find most of Amy's songs on this album intolerable, and I'm sure many people feel similarly about Emily's somewhat elusive lyrics this time around. I wonder what the future holds?