Gloria Estefan Album: «Mi Tierra»

- Customers rating: (4.6 of 5)
- Title:Mi Tierra
- Release date:1993-06-22
- Type:Audio CD
- Label:Sony
- UPC:074645380728
- 1 Con Los Años Que Me Quedanimg 4:19
- 2 Mi Tierraimg 4:37
- 3 Ayerimg 5:10
- 4 Mi Buen Amorimg 4:23
- 5 Tus Ojosimg 4:12
- 6 No Hay Mal Que Por Bien No Vengaimg 5:28
- 7 !Si Senor!img 4:41
- 8 Volverasimg 3:53
- 9 Montunoimg 4:57
- 10 Hablemos El Mismo Idiomaimg 4:45
- 11 Hablas De Míimg 3:41
- 12 Tradicionimg 5:22
Mi Tierra is such a special, sincere, romantic and most of all a very Cuban album. In the market now for 10 years and still has its musical magic comparable to the first time that I listened to this production. No doubt this is one of her most complete albums and perhaps her best in the category of tropical music. Gloria Estefan has always been a renowned singer in English and if I am not mistaken Mi Tierra is her first Spanish album and who would of thought that it would be so successful. This cd has various Cuban rhythms like son, traditional, boleros and salsa. The album has 12 songs in total and they are all wonderful. Once you start listening to the album there will be no need to stop. The first song will really coax you into listening to the rest of the recording. It's a very romantic bolero and at the same time very inspiring and well sung by Gloria which will leave you motivated to listen to the rest of the songs. There are very danceable ones such as the forever popular "Mi Tierra" as well as 'Ayer" and "Hablemos el mismo idioma". Mi Tierra is one of those albums that has no time frame because the songs will live forever and this music has no boundaries. It's for anyone who knows how to appreciate the beauty that it has to offer. I hope Gloria produces more Spanish albums. I think she was born to sing in her native language! Try to ascertain a copy while you can. This is wonderful tribute to Spanish music, people and culture! Arriba Cuba!
An astonishingly assured effort by Gloria Estefan, considered by many Gloriaphiles to be her best work. This sounds like an album of Afrocubanismo standards, like Linda Ronstadt's "Frenesi." Unlike Ms. Ronstadt's masterpiece, however, the songs on "Mi Tierra" are mostly original songs, many written by Gloria herself or by the great Estefano (who has written hits for Chayanne, Azucar Moreno, Paulina Rubio, Thalia, etc.). "Con los anos que me quedan" starts the CD off with a powerfully emotional ballad about making the most of life, fitting for an artist who survived a near-fatal bus crash. "Mi tierra" is Estefano's tribute to Gloria's homeland, and it wisely addresses it from a nostalgic, rather than political, perspective. "Ayer" is a lovely piece by Juanito Marquez, with a gorgeous chorus like the gentle lapping of warm ocean waves. "Mi buen amor" is another gentle Estefano song, this time with a gorgeous flute accompaniment by Nestor Torres. "Tus ojos" is lively and dancey, co-written by Emilio, who is often the rhythm behind Gloria's melodies. "No hay mal que por bien no venga," written by Cachao, has some gorgeous vocals by Jon Secada as well as stirring strings and woodwinds. It sounds very big band. "Si senor!" is a fiesty, fiery "son" of a song, seemingly infused with "la aroma de albahaca y hierbabuena" of Cuba and the beautiful Cuban people. "Volveras" slows down the pace, giving Gloria an opportunity to torch it up a bit. Not one of my favourite songs on the CD, this piece is nonetheless a great showcase for Gloria's voice. "Montuno" is another irresistable "son," written by Marquez. "Hablemos el mismo idioma" and "Tradicion," both co-written by the Estefans and thus deeply personal, are completely infused with movement and joy. The former reminds me of "Oye mi canto" from "Cuts Both Ways." In between these lively songs, we have the slow, sultry "Hablas de mi," another perfect showcase for Gloria's range. "Tradicion" is a perfect song to end on, since it expresses the credo of the Estefans: to continue the musical traditions of their forebears--Tito Puente, Celia Cruz, Israel Lopez Cachao, Arturo Sandoval, etc. This CD manages to mix these Cuban influences with the old crew from Miami Sound Machine, add some great songwriting, and it all amounts to one of the greatest Latin language CDs of our time.
The lovely shot of Gloria you're looking at is not misleading. The music inside is just as beautiful as the artist. Gloria has long used Spanish music to let her artistic soul flourish and this is her masterpiece. This album is filled with beauty. If you love music and you want to hear the best of what it has to offer from around the world, then this is a perfect place to start.
Once the beautiful "With the Years That I Have Left" starts we are transported to an elegant and exotic club somewhere in South America. The sun has faded and a tropical moon has taken its place. The glossy hardwood counters are polished to perfection and the cherry finish complements a scattering of sego palms and Spanish lilies as wine glasses are filled with only the finest vintage.
Gloria's rich and emotional vocals surround the room and are backed by a lush orchestra and breezy spanish guitars. So rich is the atmosphere we can almost feel her moving around the room and smiling as she passes by our small table. The songs move from love of one's homeland to romantic love lost or waiting, and everything in-between.
Gloria fills this room with her magical phrasing of a beautiful language. We hear so many wonderful songs we dare not leave and miss a moment. There are songs of forgiveness and hope, and songs of true love and hanging on 'till the one lost to you returns. One song, the light and playful "Si Senor!" conjurs up images of the Andrew Sisters and another time.
One of the prettier songs we hear before our time in this moonlit paradise is over is "Volveras" (You'll Be Back). Gloria knows the man leaving her for another and taking her heart with him will be back, because he can't erase her memory. But we know it's only a song. No one could be foolish enough to leave this Cuban flower.
And all at once, it is over, and like all vacations, it has ended much too quickly. But what we've seen and heard has enriched and expanded our world. We want to come back once in awhile to feel like this again. Lucky for us we own this little keepsake of our time with Gloria in tropical paradise.
This is an incredible collection of música cubana. Gloria's voice is perfectly matched with a broad range of melodies and musical style. We hear salsa, cha cha and lush ballads. This album demonstrates the variety of styles available in Cuban music. I highly reccomend this album to anyone, whether or not you speak Spanish. I listen to this for my own enjoyment and I share it with my Spanish students. This album and "Abriendo Puertas" (Another all-Spanish album by Gloria) are two of my favorite albums in my 80+ CD collection. If you regret purchasing this album, email me and let me know.
From the opening bars of the beautiful "Con Los Años Que Me Quedan" (translation: "With the Years I have Left"), the luscious and seamless sounds of Gloria Estefan's heavenly music on MI TIERRA (MY HOMELAND) fill my heart with tenderness and longing. This wonderful ballad provides just a little taste of the range and brilliance of the music of Cuba, the country of Gloria Estefan's soul and rich heritage. How lucky are we that Estefan chose to share the music of her heart with us.
We hear a little bit of everything, from son montuno (a variation on the son, a typical Afro-Cuban rhythm) on "Si Senor! Es Mi Son!" to montuno on "Montuno" (another rhythmic traditional type of music whose influence is often heard in salsa, and transcends nationality, rooted in its uptempo beat). The lyrics in these pieces (translated into English) are pure poetry. They are filled with rich romantic imagery, passion, longing, pain and joy. Several were penned by Estefan and husband Emilio. They include "Mi Tierra (My Homeland)," "No Hay Mal Que Por Bien No Venga (Out of All Bad, Some Good Things Come)" and "Hablemos El Mismo Idioma (Let's Speak The Same Language)." What's more, Gloria and Emilio Estefan had the beautiful concept of inviting (in their words on the CD jacket) "All-Star Latin Musicians" to participate. This includes the legendary bass player Israel Lopez "Cachao," flautist Nestor Torres, and Jon Secada (who co-wrote "No Hay Mal Que Por Bien No Venga" with Gloria and Emilio, and Cachao).
This is, for me, some of the best music I have ever heard from Gloria Estefan's repertoire. This album is truly in a class by itself and I really think it's essential for any Latin Music collection.