Look, brooks is good, there is no doubt about it. The best song, and the most under appreciated, is "Night I called the old man out". In fact, the only song I didn't like that much was the first & most famous song on the CD, "Standing outside the Fire". It repeats itself to damn much. In short: If ya like Garth, or country in general, you'll love this CD. If not, go buy some Radiohead or Korn, cause this ain't for you.

At the point in which Garth released this album, his career was so large, that Garth had become an icon-more of an idea than a real person-in which people invested their beliefs, and indeed their wallets, with unwavering support. Garth was selling out arena size concert venues in record times (as when he was in Cleveland, selling out 5 shows in 18 minutes). So it was no suprise that "In Pieces" would meet with the success that it did.

This album, perfectly named for its disjointed collection of songs, written in styles ranging from driving rock to almost folk/country, was a reflection of the many directions Garth's professional and private life was going. By this point, he was a television star, with several live performances and cameo television appearances on such shows as Empty Nest and SNL. He was reaching ever larger audiences, performing at Superbowls and much more.

"In Pieces" was also a stronger effort to provide an audience with music they could come to expect from Garth. Stylistically, he had become known for taking country and making it very mainstream by giving it an edgier feel that was reminiscent of his own exposure to such bands as KISS and QUEEN. This album, whether a carefully calculated product of commercial merchandising, or a genuine effort to really push the limits of country music, succeeded in doing that.

The opening track, "Standing Outside the Fire" is an upbeat reworking of the themes found in "The River" (on "Ropin' the Wind). The song is up-tempo, that feels more like rock and roll than country. The album continues in the same vein with "The Night I Called the Old Man Out", a song that some might correlate with child abuse, while others might view it as a coming-of-age piece in which a father confronts his son when the son stands against him for something he believes in. Rounding out the first third of the album is "The American Honky-Tonk Bar Association", a piece that is vaguely reminiscent of "Friends In Low Places" (on "No Fences"). A good song, but not as good as earlier efforts to write about acceptance in your local bar after confronting the challenges of daily life.

This album does contain some beautiful ballads, which Garth executes beautifully. On this album, it could be said that the ballads are the bigger strength, and although none of them went on to become huge hits for him, they remain pure to the Garth Brooks that we saw most vividly in his earliest albums. "The Red Strokes" is a power-ballad, almost in the stylings of Elton John or Billy Joel. "One Night A Day", a song about a man who has lost his lover, is still more rock than country, but beautiful nonetheless. But it is "The Cowboy Song" that rises above the rest, and gives us a glimpse at the Garth we all came to love. It is a wonderfully conceived piece, reminiscent of his early years, about a cowboy "pushin 'horns'", living the rough life of ranching steer and surviving the western frontier, and at the same time, embracing the simple, rugged beauty of that life. As Garth fans know, his final song on each album is the one that holds most personal meaning to him, and so it is no suprise to find that this icon would be drawn to a song that would remind him of his roots.

In total, the album went on to produce a total of four No.1 hits, including the line dance favorite "Callin Baton Rouge" a cross between rock, country and bluegrass-banjo picking and all. The album, still an inferior addition to such records as "Ropin the Wind", "No Fences", and "Garth Brooks", is still a great album, even if reflects Garths obvious strength in marketing rather than his inane talent for songwriting. A solid effort and worth the time and money.

I am a huge garth Fan, I have all the albums and six of his live concerts. I like In Pieces because of the song "The Red Strokes" I don't really like the music video for it because I think that Garth could have done better on what to use in the video instead of just red paint and a white room,because just thoes two things are just scary when put together. But, I like the song because it talks about mainly love and what color the heart is, and he potrays it with alot about two people painting a picture of a heart and the color they use is alot of red. He even talks about how when your blue, the color of your heart is blue and when your jeleous your heart is green. But when you love, your heart is really red. In general, In Pieces is one of garths better albums.

Garth Brooks put alot of heart and feeling into his music. As a singer he has feeling and meaning toward his words and his heart goes out to the fans that make it possible for him to write such music.

Garth Brooks was quoted at the time this CD was released as saying that this was "the most live album that we've cut", and it has a very basic up-close and personal feel to it; perhaps why I like much of country music is its lack of artificiality, and the making of great music without gimmicks and engineered manipulations (I'm obviously not counting cross-over "pop" country in that category). Here we have Garth's vocal mastery, with some virtuoso musicians backing him, giving us the real deal.

Garth co-wrote 5 of the 11 tracks, and the two songs that some find controvesial are my favorites: "The Night I Called the Old Man Out", about a rebellious son whoose father teaches him some old fashioned discipline, with a fist fight. "The blood came from my mouth and nose / But the tears came from his eyes". It has a fabulous rhythm and melody, as does "The Night Will Only Know", about an adulterous couple who are compromised to keep a dreadful secret. "But they would pay for their deceiving / For a deadly web was weaving / Why they picked that spot that evening / Lord, the night will only know".

It has a blend of slow and lovely ballads (Garth's sweet singing and the smooth, mellow saxophone on "One Night a Day" make it a winner, and "Annonymous" is truly romantic and beautiful) and rousing dance tunes like "American Honkey-Tonk Bar Association", and on all the numbers the musicianship is thoroughly brilliant, with each instrument given its time to shine.