I could hardly wait in 1975 to acquire Elton's new album, one of the hundreds of thousands of people who bought the album as soon as it was available in record stores. I placed the record on the player, sure that I was going to hear another "Yellow Brick Road." Then I was puzzled. What kind of music was this? It was not simple pop with catchy tunes. It was, well, complicated, and sophisticated. It was also Elton's first concept album, and it took me a while to realize that this album was the story of Elton and Bernie's rise to fame, in what appeared to be a relatively short period of time, but which actually took from 1966 to occur.

As I said, this music is very complicated, sophisticated, and beautiful. There are some faster songs, but some of Elton's most carefully crafted music is here as well. The album begins with the title tune, a rock song with a bit of country flavor that represents the flamboyant heart of Elton, and the quieter, western-loving style of Bernie Taupin. The song alternates between a style reminiscent of "Madman Across the Water" to a style that was more fully realized in "Rock of the Westies."

In "The Tower of Babel" and "Bitter Fingers" the dynamic duo lament the difficulties of getting into the entertainment industry. The first song is about the difficulty of entry, the second is about being a stable hack for a record company, churning out songs by the basketful to make ends meet, never seeming to work fast enough or to earn enough. "Bitter Fingers" has a beautiful piano entry, which extends into the song. Elton at his performing best.

"Tell Me When the Whistle Blows" can play on several levels, depending on which part of the song. The style of the song is quite similar to songs such as "Danny Bailey" or "I've Seen That Movie Too" from "Yellow Brick Road." There is a fast rock beat, but the violins give a rich, lush feel. Part of the song longs for being home, and part of the song wonders whether the maturing individual in the song still has the talent and enthusiasm he had when he was a wild kid.

Then comes "Someone Saved My Life Tonight," one of the most phenomenal songs that Bernie and Elton have ever written. This song is about a time when Elton was nearly ready to get married. He made a weak attempt to kill himself, which Bernie and Long John Baldry stopped, and then Baldry talked him out of it. The complexity of this music is symphonic. The piano chords and the harmonies are full and show Elton John having fully mastered the art of creating music.

The next two songs, "Gotta Get a Meal Ticket" and "Better off Dead," are faster, and are about aspects of being starving artists. Both are decent songs, but they are preludes to the last three songs of the original album.

"Writing" is a song about success. Once we are successful, how long can we sustain that success? Also, what will people in the future think about what we did. Will it have meaning for them, and will they think it is good? Bernie's lyrics tell a story, and Elton does an outstanding job complementing the lyrics.

The last two songs remain among my all-time favorite Elton John songs. "We All Fall in Love Sometimes" and "Curtains" transition from one to the next. Though the topics are different, the tenor and beauty of the music is common. When Elton allows his piano to come to the forefront of his music the result is nearly always wondrous. "We All Fall" also has one of the best bridges ever performed in an Elton John song. Elton also plays a harpsichord and a mellotron, used so effectively by the Moody Blues in the previous decade. The results can only be appreciated by listening.

"Curtains" begins so beautifully that when I am mellow it brings tears to my eyes. The lyrics are brought to life by Elton's vocal and musical interpretation, striking into your heart and soul. Only the emotionless could fail to appreciate this fragile, emotional music.

This album was the culmination of years of effort. The music is mature and well-crafted. Beautiful seems a paltry word to describe much of it. The production was the best ever of any Elton John album to date. The skill of the art was theirs, and they capitalized on it to create one of the best rock albums of all time.

Included on this remaster are three bonus songs. "Lucy in the Sky with Diamonds" was a big hit in 1975 for Elton John, and featured the talents of Elton's friend John Lennon. "Philadelphia Freedom" was another big Elton John hit, and was written as a tribute. "One Day at a Time" is another quite good song that helps fill out the potential time of a CD.

Unfortunately I am inadequate for the task of adequately reviewing this CD. While Elton had many creative moments and beautiful songs prior to this album, and had many other excellent compositions, for one magical album the music, the lyrics, and the production all came together to create an album for all times and all ages. While I generally feel that people are silly for saying they want to give a CD dozens of stars, this album would rate more than five stars if I could give them.

"Captain Fantastic And The Brown Dirt Cowboy" has always been my favorite Elton John album, simply because it's one of the few albums that could be described as perfect. There is not a single clunker on this whole album, and the production is flawless.

Kicking off with the comforting and sophistsicated acoustic pickings of the title track, which depicts Elton and lyricist Bernie Taupin as cowboys and the record company executives who rejected their early material as bandits who they must defeat before riding off into the sunset. "Tower Of Babel" and "Bitter Fingers" are two more denouncing diatribes against the music industry that are very good tracks, and "Tell Me When The Whistle Blows" features an eloquent orchestral arrangement by Gene Wood, who arranged some of Barry White's biggest hits in the early to mid '70s'. Next comes one of Elton's best - known and most - loved compositions. "Someone Saved My Life Tonight" is a true classic with its simple, haunting piano intro, strong percussion, and Beach Boys - like harmonies on the tag. "Gotta Get A Meal Ticket" is a strong rocker featuring a screaming guitar intro. This is followed by the simple, almost funny "Better Off Dead", which preceeds my favorite track, "Writing". This perfectly sums up the way Bernie and Elton write a song. Following this is the luscious "We All Fall In Love Sometimes", which perfectly sums up the relationship between Elton and his faithful companion Bernie. Lastly, there's the haunting "Curtains", which denounces the early songs that they wrote together.

Like all of Elton's '70s' reissues, this one has several bonus tracks added. Included are two of the three number one hits he scored in 1975, the soulful "Philadelphia Freedom" and his superb cover of "Lucy Sky In The Diamonds" featuring John Lennon singing and playing guitar. Also included is "One Day At A Time", a beautiful song that Elton recorded with Lennon that was included on Lennon's "Mind Games" album.

Overall, this is an excellent album that captures Elton in his prime. It also marked the end of his creative energy. Although he scored one more number one album ("Rock Of The Westies"), things were never the same after this album was released. As a matter of fact, it would be 20 years before Elton would release an album of this merit again.

My sister was a huge Elton John fan when we were growing up in the '70s, and we used to sit in her room and listen to this album, "Goodbye Yellow Brick Road," and Pink Floyd's "Wish You Were Here" which she brought back from a trip to Europe, along with cigarettes. I like certain Elton John songs a lot, and others, from various periods of his, I really don't like ("Crocodile Rock" for example). I think he's even admitted himself that he didn't like certain songs he released because they were just crap he was spewing out to make a buck, but that's beside the point. This is the good Elton phase in my opinion. "Captain Fantastic," "Tower of Babel" are really good songs. When I listen to this album (CD, haha), which is creative and unique, I feel like I'm back in that yellow room, and the whole world is out there, just waiting for me and my sister.

If a fire starts at home, and I could only save ONE CD of my extensive collection, "Captain & The Cowboy" would be that CD. I have listened to this album since 1975. I just never get enough of this masterpiece. Elton and Bernie at their prime. By the way, Elton John is my favorite pop artist of all times, in case you haven't noticed yet ;-)

christmas 1975

got aeromith -toys in the attic, elton john-captain fantastic, queen - a night at the opera and kiss - dressed to kill. man i still listen to all 4 of these. try listening to "captain fantastic" and the new "captain and the kid" back to back