...and nothing proves the point more than listening to this brilliant album and then reading the 200-plus reviews found here. Celine's voice is truly distinctive, incredibly wide-ranging in pitch and style -- and guaranteed to make you love her or (God help you) hate her as an artist.

Yes, this album is "commercial" -- but it's the very opposite of heartless. Yes, it's slickly produced -- but what's wrong with perfection in arrangement and performance? Yes, she pulls in a lot of big names on this album -- but isn't she humble in their presence and amazed to call them friends? Yes, Celine is first and last a singer -- but since when does that make an artist lack integrity? Yes, I think some of the songs on the album aren't worth singing by Celine or anybody else; we don't need more bad attitudes in the world. (That's the only reason I gave this album 4 stars.) Should that detract from the many really excellent tracks, like my personal favorites (the remake of "When I Need You", "My Heart Will Go On", and "To Love You More")? That's what programming on CD players is for: to let one pick what he likes to hear...

Celine, don't let your detractors get you down. Just keep on keeping on and (if you have to) cry all the way to the bank.

This last entire english new material album from Celine Dion shows a more mature side of her talent,and proves that the succes of "Falling Into You" was not a passer-by one but instead the entrance to the Diva-world. "Let's Talk About Love" is by far the best album modern pop has ever produced during the past 20 years to say the least. There are simply too much stars involved in the recording of this album. There are practically no mistakes and there is a great coherence and cohesion between all of the tracks. No way this could ever be boring simply because it has a great diversity, starting with the common excellent well produced diva-pop and ending with a hip-hop cover and one or two extremely danceable songs. The album begins with "The Reason", a top vocal track which features the help of role model Carole King. On the following track The Bee Gees appear both as songwriters and as fellow singers turning "Immortality" into and very emotional and romantic song. On her hip-hop effort, Celine is being hepled by jamaican Diana King and Brownstone treesome. In fact, this one is a cover of Diana's 1995 "Treat her like a lady". "Tell Him" is the star duet on this album,Ms Dion teenage years' inspiration Barbra Streisand, having an important role in the succes of the song. It is overproduces, nevertheless tiresome. Still it is simple and clear, making it one of the most enjoyable musical experiences ever. There's also another beautiful cover on the album, "When I Need You", which goes on great with Celine's voice. The last duet is with classical singer Luciano Pavarotti turning on a more serious side of pop music, a more classical one. On top of that the famous producer George Martin (Beatles) helps on "The Reason", Walter Afanasieff and David Foster on "Tell Him" and several other tracks plus production work from music giants such as Rick Wake (previously worked on "The Colour..."), Corey Hart, Jim Steinman, Brian Adams, Jean-Jaques Goldman etc. There is also a spanish track on some non US editions "Amar Haciendo el Amor" on which Celine shows she has no problems with her fifth singing language. This is the work of Emilio Estefan Jr. But what surely made this album so important is the Titanic theme which needs no description. Next to those songs there are some great romantic tracks such as "Where Is The Love" and the title track. Inspite of the cliche phrase this really is a masterpiece album which fits in any respectable CD collection. In fact you cannot say you know music unless you've tasted this one aswell. All i have to say now is "Enjoy it!" because i know you will.

A big commercial album with nothing inside

Celine Dion sings sickening and unrealistic love songs. All those sad ballads .

I still this that Celine Dion's Let's Talk About Love was her most artistic and stylistic album to date. She took more chances with stretching her voice on different songs. I still like the funky Treat Her Like a Lady, where Celine really tears it up on a faster song! It just got her off the ballad overkill a bit, the way Misled did on her '93 album. But I love songs like the P Diddy-beats-sounding Why oh Why, Immortality, the darker songs Miles To Go and Us, and To Love You More. Tell Him with Barbara Streisand--true diva event as if there was one! Both singers sound beautiful on here. I like her I Hate You then I Love You with Pavarotti. Her songs that Corey "I Wear My Sunglasses At Night" Hart produced are very good. So I'll save this part for last--her "My Heart Will Go On" is easily her best sung song of her career--the drama, emotion and range that she brings to it makes it one of the best '90s pop records. While some people don't like it, you have to admit that it is a beautiful power ballad in the greatest sense. In conclusion, a very artistic and well done pop album from Celine with all that incredible talent involved on it.