When all of Bob Marley and the Wailers island albums were rereleased except Exodus I knew there was a reason. It's all quite simple now since the Deluxe edition hss been released. For starters on the first disc you get the 10 songs from the original album which are great, and have been reviewed tima and time again. Time acutally called it the album of the Century. But then you get the bonus tracks. "Roots" is a really good song, the alternate version of "Waiting in Vain" is better than the original in my opinion, and as far as the other versions of "Jamming" any true reggae fan loves a good dub so that's killer, as is the dub of "Exodus"

Then we get to the live section which i think has better versions of songs than "Babylon By Bus", which has always been my personal favorite album. "War/No More Trouble", "Jamming", and "Exodus" are just simply phenominal.

Next is the "Punky Reggae Party" with the dub version, finally a way to get the original studio version of this song, which until now was very hard to do. Also there's the "Keep On Moving" which has always been a great song.

I consider this to be the best reissue of all the BMW material thus far this year, though "Burnin'" and "Catch a Fire (2CD) were also really good. I just wish now all the original Jamacian versions of BMW Island albums would be released. It's just amazing how many of these albums are sold, despite the fact that Bob Marley passed away nearly 20 years ago.

Buy this double disc set and be happy!!!! :)

This package, the 'deluxe' edition of the masterful 'Exodus' album by Marley and the Wailers, finally includes the complete nine minute and eighteen second, original version of the Lee Perry/Bob Marley collaboration 'Punky Reggae Party', recorded over two months in July/August 1977. (The single disc edition of 'Exodus' which includes 'Punky Reggae Party' says 'long version ' but it is not, lasting only six minutes before it is edited to a close, before Marley's chilling jazz scatting is complete). For this gem of collaborative brilliance alone this 'deluxe' package is worth the high price.

I watched a TV documentary the other night about the making of this album and it was a spellbinding hour and a half. Apparently, Bob had to flee Jamaica for the UK after an assassination attempt and ended up living in London for a year. It was during this year that this phenomenal album was recorded. I've owned it for over 20 years now - first on cassette, then on vinyl and finally on CD - and I had no clue that this was so.

The album was released in 1977. It was the year of the Queen's Silver Jubilee but Britain was in a very bad place, the seeds of Thatcherism and the heartless 80s had already been sown and Punk ruled the airwaves. I lived a very sheltered life as a teenager and so it wasn't until 1979 when I went away to boarding school, that I finally get to hear the album in its entirety. It was a true revelation. I heard it on (what was then) a new invention my peers and I called a "hi-fi system" owned by an older student and I remember hearing the percussion on "Jamming" and being transfixed. No exaggeration; I was literally hypnotised.

The album is faultless with pristine production by Bob and The Wailers. From the minute the first strains of "Natural Mystic" fade in, through the accusatory "Guiltiness", on to the revolutionary title track, the slow jams "Waiting In Vain" & "Turn Your Lights Down Low", on to the optimitic "Three Little Birds" and right to the end of "One Love/People Get Ready", there is not a single note out of place. Each song, a potential hit single, (7 of the 10 songs on the original album were actually hits here in the UK) has a vibrant, totally relevant message - especially for a black teenager living in 70s UK, and Bob's primary ethos of peace & love have stayed with me ever since. That being said, this is the album that began to open my young eyes to the oppression and injustice that already surrounded me. The idea that music wasn't simply for entertainment or escapism but could inspire thought, behaviour and attitude change as well as activism, was new and very appealing.

And this was also the album that turned Bob from an international reggae star into a global prophet. Setting everything about Rastafarianism (respectfully) to one side, Bob the man and the music he made, the message he spread, have always educated and enthralled me in equal measure and always will. When I think about what are for me, consummately iconic, influential and superb recordings and I think about such albums as Miles Davis' Kind of Blue, John Coltane's A Love Supreme, Stevie Wonder's Songs in the Key of Life, Michael Jackson's Off the Wall, Pink Floyd's The Wall (Deluxe Packaging Digitally Remastered) and Radiohead's OK Computer, I also, immediately, think of Bob Marley's "Exodus". My life was definitely not the same after listening to it and now that I fully understand the story behind it, I hold the album in even higher esteem.

Whether this is Marley's best piece of work or not is, I guess, a matter of personal opinion and will always be open to debate. What is beyond doubt, is that it is my favourite Bob Marley album and I am proud and honoured to make this my 200th review on amazon.com. I'm a bit of a purist so I prefer the version I have which does not have the two extra tracks (though I have both on 12" single) but they are definitely worth having. As such, this is the version to get. There'll no doubt be a '30th anniversary edition' knocking around before too long as well.

What motivated Bob Marley to write some of his best lyrics, with strong spiritual content, messages of biblical condemnation for the wicked and biting criticism of the system and it's defenders? A complete album, some of his best work ever, and in contrast to earlier albums where there were always a few redone songs from his ska and rocksteady days, Exodus was mostly all new songs. Here you have an excellent mix - strong roots reggae rhythms on 'Natural Mystic' a Rasta grounation chant 'Heathen', a lighter dance tune 'Jammin', melodies such as 'One Love' and 'Three Little Birds' and two tracks that show Bob could have sung R&B, soul, love songs namely 'Waiting in Vain' and 'Turn your lights down low'. The title track was unique. Never before had there been a reggae song sounding like it, (funky world beat) nor had a reggae song ever been so long - over 7 minutes, most were short, to the point 3-4 minute jobs. The album built on what had been achieved with the previous album - penetration of the US market, but significantly here 'Exodus' was the first Wailer tune to get extensive airplay on African-American radio. What was the creative force behind all of this? We know that ganja and scripture reading was the fuel for some of Bob's words of wisdom but this album (specifically the first 4 tracks) were forged in direct response to one specific incident that happened to him in late 1976.

Bob, Rita and the bands manager were at Bob's yard two nights before the 'Smile Jamaica' concert scheduled for December 5. The concert, featuring the Wailers, was to be held at the National Heroes Park in Kingston. It was conceived by Bob himself as a means of getting peoples minds off politics, which was the all consuming force in the Island at that time, with a general election coming up on December 16. Gunmen burst into the Marley house firing shots, all three were hit, Bob's manager five times, a shot grazed Bob's chest and hit his arm and Rita had one graze her skull. Who did it and for what reason was never known as the gunmen were not identified nor caught. Politics was suspected. Although the Wailers were not supporters of party politics they could hardly be called apolitical as their criticisms of the system, inequality, injustices and oppression had always been central to their message. It's just that it was the strongest in the previous album. If that is what it was all about, rather than be subdued, Bob was stirred up and 'Exodus' was his creative response fueled by righteous rastafari anger. Bob himself says so in a line from 'Jammin' - 'No bullet can stop us now'. All in all an album of excellent musical expression.

a college favorite i never grew tired of. of course, i couldn't possibly complain about an entire album's worth of bonus tracks, its meticulous 24bit remastering and it's superb packaging could i?

remastered reissues are often considered poor excuses for record companies to make money.

i don't have problems with this one this time.