Rock Bands & Pop Stars
The Beautiful South Fotos
Grupo:
The Beautiful South
Origen:
Reino Unido, EnglandReino Unido
Miembros:
Paul Heaton (vocals, harmonica, guitar), Dave Hemingway (vocals), Dave Rotheray (guitar), Sean Welch (bass), and Dave Stead (drums)
Disco de The Beautiful South: «Gaze»
Disco de The Beautiful South: «Gaze» (Anverso)
    Información del disco
  • Valoración de usuarios: (3.5 de 5)
  • Título:Gaze
  • Fecha de publicación:
  • Tipo:Audio CD
  • Sello discográfico:
  • UPC:
Valoración de usuarios
Contenido
Análisis - Product Description
'Gaze' is the eighth album from the Beautiful South & their first in three years since 2000's 'Painting It Red'. The album continues in the vein of previous works featuring their distinctive brand of jazzy pop topped with Paul Heaton's witty lyrics. 11 tracks. Universal. 2003.
Análisis - Amazon.com
The world doesn't need a new Beautiful South album, but here's Gaze anyway. Paul Heaton's motley crew are now nearly three years on from their previous album, Painting It Red. Their last major hit (and decent tune), "Perfect Ten," came back in 1998. Not much has changed in the songs (although they're noticeably not as dark as they were in 2000), but new addition Alison Wheeler has a beautifully haunting voice that puts all of the Pop Idol contenders to shame. Openers "Pretty Things" and "Just a Few Things That I Ain't" possess simple, shuffling arrangements of balsa-thin longevity and "Sailing Solo" takes navigational and exploration metaphors in human relationships to dull, Arctic Circle extremes.

Songwriter Heaton finally hits his stride with track four, the instant Beautiful South classic "Life vs. the Lifeless" ("That's why cynics deep-sea dive / Just to watch someone healthy lose breath"). "Let Go with the Flow" is understated but lyric-heavy--something that has become a trademark over the years, but which needs addressing here. An editor is badly needed, something that's particularly evident on "101 Per Cent Man." Ideas and phrases are drowned in a biblical flood of words. The best is saved for both the album's end and Wheeler herself, who delivers a stunningly warm and evocative vocal on "Half of Him"--a stirring, sitting-out-under-the-stars, campfire song to which her voice is completely suited. If she'd been given more songs here, the album would have been much stronger. As it stands, this is fine for fans, but others could find it lacking. --Cortman Virtue

Análisis de usuario
9 personas de un total de 9 encontraron útil la siguiente opinión:
- Somewhere between Jaqui and Briana, but not going South

While Gaze has a similar quality to many previous releases from this unique band, it also goes further in many respects. First, we have a new female vocalist in Alison "Lady" Wheeler. At first listen I could have sworn I was hearing Jaqui. Listen closely though and on a track like Get Here you can hear a distinct similarity to Briana as well.

As for some of the other tracks, I dare anyone to try to get Let Go With The Flow out of their head after just two or three listens. It has a hook that goes beyond any other Beautiful South tune. On Life Vs. The Lifeless we hear an almost reggae approach that is most refreshing.

There are, of course, other tracks that are 100% Beautiful South. Just a Few Things That I Ain't, Sailing Solo, and Angels and Devils are quintessential Heaton/Rotheray songs, with the rhyme and melody that can only be penned by such tunesmiths. Not a weak track on the entire disc.

Análisis de usuario
1 personas de un total de 1 encontraron útil la siguiente opinión:
- Yet another load of BS

Overall a very good disk with some very snappy, poppy tunes with the acerbic wit and observation that the Beautiful South are known for. In part, I think their inclusion of POP rather than purely CEREBRAL tunes is part of the reason that some don't like this record. If you are one who's looking for something profound, there are other places you should look. However, if you are looking for a very listenable continuation of what first drew you to the Beautiful South I don't think you'll be disappointed. They continue to present the ironic and sometimes-too-close-to-the-truth in well-written and clever ways.

Análisis de usuario
3 personas de un total de 4 encontraron útil la siguiente opinión:
- Routine

I love the Beautiful South, I do, but Gaze is the work of a band in stasis. There are wonderful songs here, full of their trademark sarcasm and gentleness, such as "Pretty" and "101% Man". But there's also routine in it. "Just a Few Things That I Ain't" marries its wicked lyric to the melody of "Cool Jerk". And none of the others tracks have impressed themselves on my mind after months of listening.

Análisis de usuario
- A Gem

I respect everyone's opinion here....but, I wonder if they are BS fans or someone who just picked up the album. Beautiful South of course never had great popularity in America; they sometimes could be too witty and cute. But this cd is their best effort if you are looking for thoughtful, clever lyrics and harmonies and musicianship. OK, I admit the first time I heard "Pretty" with it's slightly country feel, I thought uh-oh. But I'm not sure what the fans are longing for, another "Old Red Eyes is Back"?? They have moved forward into middle age, some of the songs reflect this. "The Gates" is a great example of the male/female back and forth we've loved in the past; "Angels and Devils" another classic Paul/Dave masterpiece; "Just a Few Things that I Ain't" another witty play by Paul about things he's not going to be. I suspect that if you go back and give this cd another few listens, you'll see the subtle beautiful songwriting and great songs. Yes, there were not hits here, but that was not always what BS was about. For me, since they were not played in America, I never knew which songs were hits or not....it's not something you should be concerned about unless you work in top 40 radio.

Análisis de usuario
2 personas de un total de 4 encontraron útil la siguiente opinión:
- Solid, just.

If you already know The Beautiful South, there's not much new here. Which could be a good thing, cause I never understood the desire for change. But I don't get the feeling they really worked on improving what they had.

Apparently TBS has always had interesting lyrics, but I never really hear them, it's all about the music and melody to me. And those are good. All songs swing at some level, nice and relax.

I still prefer Brianna's voice though.

Best songs: Live vs The Lifeless, Sailing Solo and Half of Him.

Altogether, it's nice, but I'm missing the melodies they had on the first 3 albums, and Blue... Doubtful if there'll be hits off this one.