Well, here it is: after more than 250 reviews, my first ever of a rap album. And I can't think of one more deserving than "The Low End Theory." It's because of albums like this one that it pays to keep an open mind. Much like rock, hip-hop over the past decade (or at least its public face) has been largely a non-stop parade of mediocrity, but A Tribe Called Quest provided convicing proof of just how much potential the genre actually has. Instead of focusing too much on establishing a threatening image or blasting the listener's eardrums with mindless and overbearing basslines, Tribe married the seemingly contradictory poles of jazz and rap with more musicality and intelligence than anyone would have a right to expect. The uber-smooth Q-Tip and Phife spat out witticisms and allusions with a flow that puts the likes of DMX and Ja Rule to shame. The jazzy drums and bass in the background give the music a warm and organic feel, in sharp contrast to the canned beats that predominate in hip-hop (with a few exceptions) these days. Perhaps most importantly, the fourteen songs here are all irresistibly catchy. If you can't bob your head to tunes like "Excursions," "Buggin' Out," the aptly titled "Butter," and the concluding rave-up "Scenario," chances are you're way too uptight. Busta Rhymes's guest spot on "Scenario" even makes me want to get down, and there are few people out there more rhythmically impaired than I. "The Low End Theory" is a great reminder of how little things like fun and artistry could make for a great album. That's certainly a lesson that more people in every genre would be well advised to heed.

I was in the local library one day. Looking through the CD section, I happened to come across Tribe Called Quest's CD "The Low End Theory". Since I never really listened to them (apart from watching their videos on MTV), I decided to check it out. All I can say is that I wasn't disappointed in the least bit! To sum it up, TLET is a very jazzy, bluesy CD with intelligent, playful lyrics and then some! In my honest opinion, Q-Tip is one of the smoothest (if not THE smoothest) MC's around! By that, I mean he is definitely as smooth as butter (his voice that is). Very glib and articulate too. Don't get me wrong, Phife Dawg is lyrically talented and on point as well, but I think Q-Tip stands out more. In general, TLET flows with both talent and a style unlike anything else I've heard. Now, I can see why The Source gave this CD five mikes! In any case, I've started listening to more hip-hop (preferably old school like Eric B. & Rakim and De La Soul but some new groups too like Jurassic 5 (love those guys!) and The Roots). This is coming from someone who mainly listens to alt-rock, punk, and indie!

I am not a big fan of hip-hop. There are only a few artists in the genre I listen to. From my limited knowledge of the genre comes this statement: The two greatest rap albums ever are "36 Chambers" and "Low End Theory". On the other hand, I am a massive fan of Jazz, and this album has such an incredibly rich Jazz atmosphere. Only De La Soul came close to perfecting the connection between Hip-Hop and Jazz so well. The rhymes go perfectly over the incredibly funky music in the background, and Ron Carter provides some of the best bass playing hes ever done. And unlike many other rap groups, there is a poetic unity between Q-Tip and Phife. The flow between the rappers is incredible, as the change between rappers never seem abrupt. They often come off as alternating personalities of one individual. And above all, the lyrics are insightful and intelligent, which 50 Cent could never claim to do. There is zero filler on this album, as the shorter songs "Rap Promoter" and "Sky Pager" fit in perfectly with the longer peices. The thing that stands out most of all about this album is the rhythm and the groove - its insanely dancable. Pick it up even if you're not a rap fan.

Ok....I'm a fifty year old mother to 4 teenagers. I've stayed pretty "hip" thru the years, but always resisted rap or hip-hop. My son and I recently had a discussion about the genre and he suggested I start with the Tribe. Damn. I love it. Can't stop playing it.
It's the best sound I've heard in a verrry long time.
I'm new again. That's what music is supposed to do. Make the experience of sound new. Get it, all you old rocksters.

Watch MTV for even a second these days and you're likely to get only kiddie music, and second rate hip hop packaged under beat-you-over-the-head marketing campaigns. You only wish the Tribe's masterful rhythms and rhymes were the rule rather than the exception. Only Tip and Phife seem capable of using pop culture references and hip hop machismo to create lyrics that have a deeper meaning than at first glance.

The album takes you straight in with "Excursions," which has the best bassline of maybe any rock or rap song ever recorded. It lures you through its driving rhythm and doesn't let up until the disc is over

Both rappers have their best showcase songs on this album: "Butter" for Phife and "Voices from the Abstract" for Q-Tip. Both songs are clever and have rhythms that are irrestible.

And for the all-star song, you can't beat "Scenario," which features Busta Rhymes' best rhymes ever.

Check out "Show Business," "Check the Rhime," and everything else. There's not one bad track, which is a quality no disc made by a major label in the past two years can boast. It's a masterpiece.