First acquainted with this album, from the original vinyl release, I find that it has aged remarkably well. Some of these songs are more original than what passes for original now.

"What's My Name" is incredible. Conjures up images of a world weary immortal, having seen so much and forgotten so much as well. I hesitate to relate it to Highlander, because there is nothing Scottish about it, but it has the same tiredness of that character, or Barry Sadler's novels of Casca. Atmosphere and intricacy. Artful.

"Myopia" is a better song than some reviews would lead you to believe. It was, and is, a moving rock song, with accomplished playing.

The lyrics for "Duel" are admittedly weak, but the song is short and catchy otherwise. Inspired by the film of the same title.

"Mathilda Smith" is a prime example of the kind of wit that occurred in late 70's Genesis lyrics. The song structure is atypical, ending with an instrumental build then falling action, meant to symbolize the escape of the bored shut-in seniors from their home and back into the world. Hackett isn't the only star of this peace, letting the rest of the musicians get in some musical contribution.

The other songs may be hit and miss for some, depending on mood. This is a mixed album, but that is the strength of the work. Regular rock, prog-rock, some reserved and mellow playing, electric and subtle-acoustic sounding depending on the tracks you listen to. It has aged well in my opinion, and with new tracks should be worth purchase on disc.

This CD has been remastered and two new songs have been added. The sound quality is greatly increased. Recorded in Rio, with local artist, it fuses incredible electric guitar with a Brazillian Carnival flavor. The bonus tracks are several years newer, but fit right in, and are an absolute must for any Hackett fan. Also, two of the original tracks have been extended. Compared to other Hackett CD's, this one is definitely above average.

Then you should listen to "Myopia." A percussionist? Check out "What's My Name" and "The Rio Connection." Blues guitarists should take in "Let Me Count The Ways." And for anyone who remembers lullabys, drift off to "Taking The Easy Way Out." This album has many different forms, all stirred with a latin feel. Very original for its time and it still holds up well. It's great fun.

Then you should listen to "Myopia." A percussionist? Check out "What's My Name" and "The Rio Connection." Blues guitarists should take in "Let Me Count The Ways." And for anyone who remembers lullabys, drift off to "Taking The Easy Way Out." This album has many different forms, all stirred with a latin feel. Very original for its time and it still holds up well. It's great fun.

This is one of the best albums out there. From the blues of "The Rio Connection" and "Let Me Count The Ways" to the other-worldly "What's My Name," you can't guess what the next song is going to be like. The best ones are "Myopia" (which combines Heavy Metal with a splash of J.S. Bach's Brandenburg Concerto) and "A Doll That's Made In Japan," which almost takes you across the Pacific with its Oriental feel. Like Brazilian drums? Check out "Matilda Smith (Williams, Home For The Aged)." There is about four minutes worth, mixed in with a monologue of Steve's guitar and "Camino Royale" from the "Highly Strung" album. A thouroughly imaginative creation.