I got this album with its sanitized cover for Christmas in 1968, along with the Beatles White Album, and at the time preferred it. You want your profundity, you got Sympathy for the Devil. You want your social commentary, you got Salt of the Earth. You want the Stones vote on bein' a radical, you got the awesome and unique Street Fighting Man. Time passed, and I lost the album. Picking up the CD today, what strikes me is that this is probably their richest album MUSICALLY, and indeed it is timeless. The headliner songs are still great, but what makes this album worth owning (rather than just cherrypicking the hits on best of albums) are the other cuts, which are primarily acoustic and slide blues. Cuts like Prodigal Son and Parachute Woman, and the sublime No Expectations don't get anthologized, and don't get played on the radio, but they are the very soul of the Rolling Stones, the calling card they will present when they knock on the door of St. Peter's. A rewarding musical experience.

Though The Stones recording were well-revered at the time,Beggars Banquet is where this group shows they can reach the next level of musical progression.Coming after the ill concieved,yet quirkily brilliant psychedelic foray Their Satanic Majesties Request,they come out with BB which brings them back in touch with their blues roots as well as open new doors.Sympathy For The Devil and Street Fighting Man must of been a shock to the ears of ill prepared listeners who soaked up the non album preview single Jumping Jack Flash.But its also songs like No Expectations,Jigsaw Puzzle,Stray Cat Blues & Salt Of The Earth that fortifies this albums classic stature.Factory Girl,Prodigal Son and Parachute Woman makes you wish they'd return to this genre today instead of using their music to promote their concerts.At the time when most groups were spewing out SGT Pepper rip-offs or even falling apart(Cream and even The Beatles themselves)The Rolling Stones were ready to take the mantle,and Beggars Banquet was their first victory.

'Beggars Banquet' is one of the defining Rolling Stones albums. Part of an unheralded run in recorded music history, this album showcases the musical genius that is the Rolling Stones.

Few can doubt the timelessnes of 'Sympathy for the Devil' or the power of 'Street Fighting Man' but it's the fifth song on the album that makes the whole thing exquisite in my opinion. 'Jig-Saw Puzzle' is one of the most beautiful Jagger/Richards compositions ever recorded. This song alone is worth twice the price of the CD. It's perhaps one of the only Stones songs that's so obviously about the band members and their respective struggles. For example, "... and the guitar players look damaged/they've been outcasts all their lives ..." reminds you of a certain rhythm guitar player with a penchant for excess doesn't it?

The Rolling Stones are a rare species in rock and roll - a band that consistently delivered the goods. And 'Beggars Banquet' is one of the best by the Stones and one of the best ever recorded. If you're a fan of the band or not this one album you need to own.

This is, perhaps, The Rolling Stones' masterpiece. After the disaster that was "His Satanic Majesty's Request" the band clearly decided to stop slavishly copying trends (and, one might add, following in The Beatles' footsteps).

Brian Jones appears only sporadically, it's his last album with the band. The Stones brought in Jimmy Miller to produce, after having learned the hard way that they work best when they have someone besides Mick and Keith at the mixing board. Nicky Hopkins' contribution to this album can't be understated. Rumor has it that Ry Cooder participated in the sessions.

"Sympathy For The Devil" kicks things off. For an inside look at the evolution of this iconic song see Jean Luc Godard's "One Plus One" (aka "Sympathy For The Devil"). This song was scary and groundbreaking back in 1967 - now that we've all heard it 1,000+ times it seems far too familiar. In my opinion this is one of Mick's best lyrics.

"No Expectations" is a beautiful song, with lovely piano work by Hopkins. The lyric is a bit trite, but it works. Believe it or not this was the first single - it's perhaps the weakest song on the album.

"Dear Doctor" is really, really funny. The Stones were fans of country music, but here they take on the form as a cliche. "For the gal I'm to marry / Is a bow-legged sow / I've been soakin' up drink like a sponge." This is a hoot.

"Stray Cat Blues" - another reviewer stated that this is a homage to fans of the band. Jeez, I hope not! This is very creepy stuff. Mick's growls in the intro are absolutely filthy ("Yeah, just don't care..."). He sings this like an utter pervert, which is the point. "Well I can see that you're 15 years old / But I don't want your ID." By now it's obvious to the listener that The Stones have reinvented themselves - where did this sound come from? It's unlike anything we've heard on previous Stones albums.

"Jigsaw Puzzle" - many fans don't care for this song. It's a bit of a throwback, somewhat reminiscent of "Something Happened To Me Yesterday" and a few others from the previous incarnations of the band. Mick's lyric is a bit overwritten, but the final verse in particular is quite good. The band jams out well here - Keith, Wyman and Hopkins play off one another brilliantly, particularly in the coda. It's a fine side-ender.

"Street Fighting Man" - some of this was recorded in a living room. The basic drums are Charlie banging on telephone directory books. Some of the guitars were recorded on a cheap tape deck. The sitar is Brian; more amazing Hopkins piano here. This was, I believe, the start of Keith using the famous "open G" tuning he has employed since. A solid song, but I've always thought it a bit over-rated.

"Prodigal Son" - country blues, based on the Bible story. Mick's lyric is perfect, as is his vocal delivery. No contemporary British band could sound as authentically American when doing this style of blues.

"Parachute Woman" - more blues, but now we move from the Delta to the Big City. Bill Wyman has often referred to this is his all-time favorite Stones track. The sound is (purposefully?) muddy, and it feels perhaps a bit off-hand at first listen - but give it a chance. This is powerful stuff.

"Factory Girl" - an underrated gem. It's a beautiful song with a lilting melody, a fun yet poignant lyric, and a wonderful performance by all. "Waitin' for a girl who's got stains all down her dress / waitin' for a girl and my feet are gettin' wet / she ain't come out yet / waitin' for a factory girl" - that's as fine a depiction of working class life as I've yet come across.

"Salt Of The Earth" - the first verse is Keith Richard's first lead vocal on record. This is a stirring song, an apt followup to "Factory Girl." I wasn't at all surprised that this was a song Mick and Keith chose to perform at "The Concert For NYC." The vamp in the last 1/3 or so of this song is brilliant musicianship.

If one is familiar with The Rolling Stones only as a "hit" group, this album could be disappointing - there's no obvious Top Ten hit here. But if you appreciate music, and if you know anything about the history of this group, you will appreciate the fact that this was a groundbreaking album.

There isn't a bad track here. Each is brilliant in its own way. And, of course, this was the first of five great albums produced by The Stones - "Beggar's Banquet," "Let It Bleed," "Get Yer Ya Ya's Out," "Sticky Fingers," and "Exile On Main Street." They had never before reached these heights - and never would again.

The Rolling Stones are regarded by most fans and critics as contemporaries of The Beatles and Bob Dylan ("The Holy Trinity" of the 60's) on the strength of the five albums noted above. They had a lot of hits before "Beggar's Banquet," but if that was all they'd done they would be regarded as equals to The Animals or The Yardbirds, etal. They became rock royalty when they produced "Beggar's Banquet."

This is classic rock, sure, but that don't mean its good. There's good classic rock, like Barry Manilow, Air Supply, The Carpenters and Herman's Hermits. Buy those bands if you want good classik rock!! Also, support The Bengals, there the best football team ever. Go bengals, who-dey!!!