Event Details:

Keith Urban w/ Little Big Town
Special Guest Dustin Lynch

Riverbend Music Center
6295 Kellogg Avenue
Cincinnati OH 45230

Thursday, July 18, 2013
Ages :All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

New Zealand-born and Australia-raised, Keith Urban moved to Nashville in 1992. His first American album came as a member of The Ranch (1997), followed by an increasingly accomplished series of multi Platinum-selling solo albums: Keith Urban (1999), Golden Road (2002), Be Here (2004), and Love, Pain & the whole crazy thing (2006). The compilation Greatest Hits: 19 Kids (2008) included such Number One hits as “But For The Grace Of God,” “Somebody Like You” (which was named the top country song of the decade), “Who Wouldn’t Wanna Be Me,” “You’ll Think Of Me,” “Days Go By,” “Making Memories Of Us,” “Better Life,” and “You Look Good In My Shirt.”

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Flying by the seat of their pants was an entirely new way of working for four avowed perfectionists accustomed to a much more conventional recording process. Joyce encouraged them to approach their work with feeling rather than reason. “He really pushed us,” says Kimberly. “We tend to toil over things; we like to rethink and discuss problems. Jay stopped us from doing that. Literally, we would be in the middle of talking something out, and he would tell us to stop thinking and start singing.”

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

“I was soaking it in, trying to be a sponge,” Lynch says. “I was mainly trying to hear the story behind the song, how it came about, what it’s really about. There’s something about understanding the songwriter’s realm. You get a little more grip on the way it was written and why it was written and how they got to the finished product.”

Thursday
Jason Aldean - 10PM
Jake Owen - 8PM
Colt Ford - 6PM

Friday
Dierks Bentley - 10PM
Little Big Town - 8PM
Kellie Pickler - 6PM
Blackhawk - 4PM

Saturday
Brad Paisley - 10PM
Chris Young - 8PM
Lee Brice - 6PM
Chris Cagle - 4PM
Dustin Lynch - 2PM
Jana Kramer - High Noon

Little Big Town, Madison County

Event Details:

Keith Urban with Little Big Town
and special guest Dustin Lynch

Jones County Fair
700 N Maple St
Monticello IA 52310

Saturday July 20 2013
7:30pm

Keith Urban, a country singer, songwriter and entertainer with number one hits many times over is coming to the 2013 Great Jones County Fair! Keith will be bringing his best music and long list of number one hits to the Great Jones County Fair for an event that will never be forgotten.

We're not done yet though, it gets even better! Little Big Town with new music from their September 2012 release "Tornado" and new country artist Dustin Lynch with his nearly chart topping hit single "Cowboys and Angels" will be joining Keith Urban for an epic night at the 2013 Great Jones County Fair!

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch.

Thursday, July 25, 2013

Verizon Wireless Amphitheatre
707 Pavilion Blvd Charlotte NC 28262

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Time Warner Cable Music Pavilion at Walnut Creek
3801 Rock Quarry Road
Raleigh NC 27610 United States

Friday, July 26, 2013
07:00PM

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Verizon Wireless Amphitheatre At Encore Park
2200 Encore Parkway
Alpharetta GA 30009

July 27, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban w/ Little Big Town and Dustin Lynch
First leg of 2013 North American Tour



DTE Energy Music Theatre
7774 Sashabaw Rd
Clarkston MI 48348

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
with Little Big Town and Dustin Lynch



Constellation Brands Performing Arts Center
3355 Marvin Sands Dr
Canandaigua NY 14424

Friday, August 09, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Comcast Center
885 S Main St
Mansfield MA 02048

Saturday, August 10, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

The Cynthia Woods Mitchell Pavilion
2005 Lake Robbins Dr
The Woodlands TX 77380

Friday, August 16, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Oak Mountain Amphitheatre
1000 Amphitheatre Drive
Birmingham AL 35124

Thursday, August 22, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Verizon Wireless Amphitheater
14141 Riverport Drive
Maryland Heights MO 63043

Friday, August 23, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Blossom Music Center
1145 West Steels Corners Road
Cuyahoga Falls OH 44223

Thursday, September 12, 2013
ALL Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch



Susquehanna Bank Center
1 Harbor Boulevard
Camden NJ 08103

Saturday, September 14, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch


Shoreline Amphitheatre
1 Amphitheatre Pkwy
Mountain View CA 94043

Saturday, September 21, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch


Sleep Train Amphitheatre
2677 Forty Mile Road
Wheatland CA 95692

Sunday, September 22, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch

Hollywood Bowl
2301 North Highland Avenue
Los Angeles CA 90068

Friday, September 27, 2013
7:30 PM
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch


Desert Sky Pavilion
2121 North 83rd Avenue
Phoenix AZ 85035

Sunday, September 29, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch


Live Nation Amphitheatre at the Florida State Fairgrounds
4802 US Highway 301 North
Tampa FL 33610

Friday, October 04, 2013
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks,Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

Event Details:

Keith Urban
w/ Little Big Town and Special Guest Dustin Lynch


Cruzan Amphitheatre
601 Sansburys Way
West Palm Beach FL 33411

Saturday, October 05, 2013
07:30PM
All Ages

Keith Urban
For Keith Urban’s sixth studio album, Get Closer, the singer-songwriter dives even deeper into the explorations of love and relationships that have established him as one of the world's biggest country music stars—while also extending his rock & roll side, as his hard-charging guitar work reaches new heights. The album is the follow-up to 2009's Grammy-winning and platinum selling Defying Gravity, which entered Billboard's pop and country charts at Number One, and spun off five Top Ten hits, including the chart-toppers "Sweet Thing" and "Only You Can Love Me This Way."

For Urban, the songs on the new album build on ideas that he introduced the last time around. "On Defying Gravity I started touching upon the theme of the courage to love," he says. "It’s all well and good to say, 'I can’t find anybody to love, I wish I could find someone to love.' But do I have the courage to love? Am I willing to open my heart and give the sword to my partner and go, 'All right, I trust you, absolutely and completely?' ”

The ambition for Get Closer is made explicit right on the cover. "The title is multifaceted," says Urban, "because my instincts have always been to run from things that are good for me, to run from love. I have always run from intimacy, and marriage has been a real awakening for me in looking at that very differently. That’s what the title really refers to."

Little Big Town
It takes a perfect storm to make a great album – an audacious mix of tension and release, passion and calm, love and violence. Hallmarks associated with all true forces of nature, these mighty attributes were exactly what Little Big Town had in their corner as they blew into the studio in late February for the whirlwind recording session that produced their strongest work yet, their aptly titled fifth album, Tornado.

LBT didn’t set out to break any land speed records in the studio. However, considering that the majority of Tornado took just seven days to record, that’s exactly what the recording process felt like to Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook, a group famous for their trademark four-part harmonies.

The elements that would produce Tornado started brewing earlier this year, when they decided to shake things up a little. The change started with the draft of producer Jay Joyce (Eric Church, Patty Griffin), who stood in for their longtime collaborator Wayne Kirkpatrick at the boards. LBT was already familiar with Joyce’s work, both as a producer and a performer. If there were any lingering doubts that Joyce was a good fit for the project, they all fell away when the producer showed up to his first meeting with the band brandishing a plan for a recording experience that was unlike anything else they had ever done before.

Dustin Lynch
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.

Listening has an added benefit – it gives the listener a chance to learn.

That’s how singer-songwriter Dustin Lynch used the Bluebird. And he used it intensely. He rented an apartment behind the venue’s back parking lot and literally walked to the Bluebird several times a week to listen and learn about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.

"Light The Fuse Tour 2013” with Little Big Town and special guest Dustin Lynch comes to downtown Kansas City in November.