"Trio" in quotation marks, of course, because there are actually two percussionists on this date, working as a single Afro-Cuban unit. I've always thought that Hancock's piano work is often overshadowed by the musical contexts he chooses to work in; this record is a rare example of Hancock alone at the helm, and it's a pure joy to listen to--an approach to "free" jazz that is relaxed and loose, critiquing jazz traditions without tearing them apart, as in the best work of Eric Dolphy (whom Hancock played with shortly before this recording). In some ways this record is similar to McCoy Tyner's "Plays Duke Ellington," especially in the mixture of Latin textures with jazz harmonies and structures. This is an overlooked gem which belongs in any Herbie Hancock collection.

This album is actually Herbie's first excursion out of the hard-bop prison cell Herbie had built for himself, therefore it contains a lot of ideas which would be developed throughout his entire career, specially in his 'fusion' days. In my opinion, this is Herbie at his most adventurous voyage. The only complaint I have regarding this album is that this one should have been the first H.H. album on the Rudy Van Gelder series, but do not worry about the sound, or the remastering, for it is actually pretty good. Enjoy this trip!

Possibly the most experimental of Herbie Hancock's Blue Note albums. The use of odd time signatures, improvised tunes, and a complete lack of brass on the album makes for very intriguing stuff. Maybe not essential, but a very good listen.

A unique grouping of players makes magic on this 1963 Hancock classic. With Willie Bobo on drums and timbales, and Osvaldo "Chihuahua" Martinez on conga and bongo, the Latin groove is heavy while Paul Chambers still in his prime holds down a great groove on upright bass. Hancock revels in the freedom that solid groove gives him and excels in both rhythmic comping and soloing. I especially like the 1st tune "Succotash" which has a fascinating 6 over 4 groove, and some unique percussion. Blaine Fallis - Jazz Guide, the Mining Co.

If you want to hear Herbie exploring his piano, look no further. He's the lead instrument throughout on here. The tracks are long and slightly experimental and abstract. He never recorded anything else quite this loosely organized; it's a fun session.