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Disco de Green Day - Dookie
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Fecha de Publicación:1994-02-01
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Tipo:Desconocido
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Género:Rock, Mainstream Rock, Old School Punk Rock
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Sello Discográfico:Reprise
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Letras Explícitas:No
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UPC:093624552963
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Análisis (en inglés) :
{$Green Day} couldn't have had a blockbuster without {$Nirvana}, but {^Dookie} wound up being nearly as revolutionary as {^Nevermind}, sending a wave of imitators up the charts and setting the tone for the mainstream {\rock} of the mid-'90s. Like {^Nevermind}, this was accidental success, the sound of a promising underground group suddenly hitting its stride just as they got their first professional, big-budget, big-label production. Really, that's where the similarities end, since if {$Nirvana} were indebted to the weirdness of {\indie rock}, {$Green Day} were straight-ahead {\punk} revivalists through and through. They were products of the underground {\pop} scene kept alive by such protagonists as {$All}, yet what they really loved was the original {\punk}, particularly such British punkers as {$the Jam} and {$Buzzcocks}. On their first couple records, they showed promise, but with {^Dookie}, they delivered a record that found {$Billie Joe Armstrong} bursting into full flower as a songwriter, spitting out melodic ravers that could have comfortable sat alongside {^Singles Going Steady}, but infused with an ironic self-loathing popularized by {$Nirvana}, whose clean sound on {^Nevermind} is also emulated here. Where {$Nirvana} had weight, {$Green Day} are deliberately adolescent here, treating nearly everything as joke and having as much fun as snotty punkers should. They demonstrate a bit of depth with {&"When I Come Around,"} but that just varies the pace slightly, since the key to this is their flippant, infectious attitude -- something they maintain throughout the record, making {^Dookie} a stellar piece of modern {\punk} that many tried to emulate but nobody bettered. ~ Stephen Thomas Erlewine, All Music Guide
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