Let me start by saying two things: 1) I have never reviewed an album or CD before, and 2) I am a tried and true Chris Rea FAN.

I own every album or CD Chris ever made. OK, there are two I know of that are not in my collection, but they are on my list. I started with Whatever Happened to Benny Santini and recently bought The Road To Hell And Back. I can honestly say that I love them all. However, this CD has become my favorite.

If you have seen the Stony Road DVD, you know that Chris' career is divided by his bout with cancer into two segments: commercial (pre-cancer) and artistic (post-cancer). God's Great Banana Skin falls in the commercial half of Chris' career, but more than any CD of that segment shows his tremendous talent and songwriting ability.

You would also have learned from the Stony Road DVD that the blues don't always show up as angry, hard-driving music. Chris says that sometimes it's simply a longing. This CD points that fact out better than any of his prior work. This is a longing CD.

IMHO, the guitar work on this CD is Chris' best. He plays with much feeling and expression, especially when playing the slide, or "bottleneck", the term Chris prefers. Especially after journeying through Stony Road and Blue Guitars, the 11-CD set, before hearing this CD, his remarkable talent for the blues comes out here - even before he was able to fully express it due to record company issues.

My favorite tracks are ... ALL OF THEM. However, the play count on my iPod tells me that I listen to Boom Boom, Too Much Pride, Soft Top Hard Shoulder, and Nothing to Fear the most. I also find 90's Blues to be one of Chris' better efforts.

I could write more, but you've already figured out that I heartily recommend this CD.

Happy Listening!

Have been a fan of Chris since 1988,,,whew, where has the time gone? I was working and had teenagers, so now I am making up for lost time. Just when I think he can't surprise me amymore than he has,,he does. The CD is excellent and with the "Too Much Pride" song he just blows my mind. He IS God's gift to women. His throaty voice is a gold mine.

This may be an odd review as I have not purchased the CD - yet. I have several others of his but after I saw the video of 'Nothing to Fear' I went looking for that tune. That video is so GREAT. Especially looking back at the time and now after 911. My only complaint is that the switches between his playing and the other scenes was a bit too fast (I'm not a member of the short attention span group). I'm going to buy this CD just to get that tune.

After borrowing friends' LPs and tapes, this was the first Chris Rea CD I actually bought, based on previous enjoyment of his work. Unfortunately, I was not very pleased with his efforts here. I still think Dancing With Strangers is Rea's best album, both personally pleasing and commercially accessible.
God's Great Banana Skin moves further into blues territory than previous albums and sacrifices the musical diversity that permeated Dancing With Strangers. The only song I really enjoyed on this album is Too Much Pride with its rockier beat and melodious backing vocals. Oddly enough, this song was not released as a single.
The title track is a nice enough tune, the lyrics being typical of Rea's wry humor. Both 'Banana Skin and Miles is a Cigarette were repeated on the US edition of Rea's next album, Espresso Logic.

Abandoning the lovely ballads of "Auberge", Chris Rea turns back towards the heavier sound of "The road to hell", if also on a more playful and humorous note. "GGBS" also shows a stronger blues feeling than previous albums, but Rea doesn't venture beyond radio-friendly blues pop, a style which has been already exploited by many other artists. The 9-minute "Nothing to fear" is the only ballad here; this song was released as the first single. It certainly didn't become one of Rea's biggest hits, being too drawn out for mainstream audiences and too calm for prog-rock circles. As a result, the album itself sold in much smaller numbers than prior efforts. There are a few other tracks which make the record worthwhile, but unfortunately, the slick production makes much of "GGBS" sound very similar. Also, Chris's vocal performance is rather listless and can't compare with the gripping "Auberge". The title cut, "Too much pride", and the fluid "Soft top,.." are among the highlights, coming up with thoroughly good melodies and memorable refrains. "I ain't the fool" has a nice, shimmering keyboard melody, and the lyrics say, "The muscles in your mouth must be made of steel". Overall, too bland to be the best introduction to Rea's work, but "GGBS" still has some things to say.