Mr. Isaak has a way with everything he does.... the simple bitter melody about broken hearts and lost love... low key rock 'n' roll songs... and voice that's surely has thousands of female fans swooning!

And this record is his best yet... "Please" is a frantic song with the "light and shade" musical treatment that sounds better every time you listen to it. Flying is another amazing song which has this really cool intro.

And the rest of the record never lets up.... Walk Slow, Speak of the Devil, Breaking Apart..... they are all great songs that maintain the quality and the integrity of this CD right till the last notes of Super Magic 2000.

Full marks to Chris and his band for creating a bit of magic on this great record.

You could tell that there was something cooking in the Chris Isaak camp when you took a look at the production credits for "Speak Of The Devil." Although longtime associate Erik Jacobsen is still the knob twiddler for the majority of the CD, Isaak also self or co-produced seven of the 14 songs here. There's also the presence of Rob Cavallo, who, as the man behind the boards for Green Day, gave the world "Dookie." Even weirder, Cavallo produced the BALLAD!

So the more things change, the more "Speak Of The Devil" sounds the same. Minor key misery is still the mainstay, spiced with a few blasts from the reverb heavy retro rock Isaak frequently favors. There's even an Elvis come-on with "Please," a one sided plea for Isaak's love to explain things in a crumbling relationship. But is there an answer? Not on your heart shaped world, baby. Almost as flawless is "Breaking Apart," co-produced by Cavallo and co-written with hit maestro Diane Warren. Although it treads dangerously close to formula, it was the album's obvious shot at a hit. That is, before "Eyes Wide Shut" broke "Baby Did A Bad Bad Thing" from the almost 4 year old "Forever Blue." Fate is a funny thing....

Even if "Speak Of The Devil" got sideswiped by the older song, you should still seek this set out. You can hear Isaak try to push his envelope, be it the near grungey guitars on "Please," the more prominent synths on "I'm Not Sleepy" or the fact that he can make a worn phrase like "Don't Get So Down On Yourself" sound like heartbreak mantra. He even drops the loser in love persona to sing praises of settling down in "Talking Bout a Home." Then, to top it all off, there is the terrific space-spy-surf instra-mental millennium harbinger of "Super Magic 2000" to warp the album to a close. "Speak Of The Devil" flirts with the danger of breaking the mold, and Isaak makes it work.

If the Devil could sing, he'd want to sound like Chris Isaak. What an instrument! Another terrific album from (and for) the eternally heartbroken. while not quite u to his masterpiece, "Forever Blue," "Devil" has some finely wrought, top-notch songs. The opener, "Please," rocks with anxiety and desire and a quiet desperation... I'm digging his double-tracked vocals on "Walk Slow"; the deliciously creepy "Black Flowers" is one of his best songs ever, dark and unsettling and with a strange backward mix; the beautiful "Don't Get So Down on Yourself".... but my favorite song is the gorgeous, aching, dreamy "Breaking Apart" (who's the woman singing back-up? Ouch) It chills me to hear, "I don't want to sleep without you/ Dreams don't mean a thing without you...." He gets the best mileage out of failed romance, and I for one will buy anything he does. Unfortunately, Chris Isaak's broken heart is music to our ears.

Chris Isaak's album "Speak of The Devil" does not disappoint. I personally feel this is the best album of his career. Having listened to his other releases - "San Francisco Days", "Forever Blue", "Baja Sessions", "Heart Shaped World", and his latest "Always Got Tonight" - this album captures all the best of his song writing and crooning vocals.

The album makes smooth transitions from such love sick melodies as "Walk Slow" and "Breaking Apart" to his more upbeat tunes "Speak of The Devil", "Like the Way She Moves" and "I'm Not Sleepy". The Silvertones put in a great supporting performance, and are allowed more musical creativity, which adds to the overall warm feel of the songs.

If you're a first time listener, or looking to add to your collection, this album is a great place to start.

The first half of this CD is brilliant. Buy it for that reason alone. 'Flying' and 'Walk Slow' pack a hell of a one-two punch. They don't have the immediacy of a 'Wicked Game' or 'Somebody's Crying' yet they highlight Isaak's lovely croon and his penchant for a romantic lyric. That's why I love this guy's music and I'm not embarrassed to say it. His songs speak of seduction and love - marry those with a great tune and what you have is a great record.

For the first six songs or so, at least. I don't mind the latter half but nothing there jumps out at you, perhaps with the exception of the groovy 'Super Magic 2000' If you want Isaak's best this is probably not the one to get but it's still a good album nonetheless.