I was twelve years old whem I first listened this album, in 1978.
It was my first contact with "Barry White Stile". Since them, Barry has been my soundtrack in every moment. This work bring to us a lot of simphonic elements, including harps.
"September" is the best one between eight beaultiful songs.
Incredible album...

These are some of the very best songs in Barry White's career. The overwhelmingly strings, mixed with disco beats, makes this CD all the more beautiful. My favorites are "September When I First Met You," a gorgeous song, with awesome horns and strings throughout, "Look At Her," a cool disco-flavored love song, and "Just the Way You Are" (his version throws Billy Joel's in the shade!) I never cared for that song very much, until I heard his version. Now, I love it... An excellent CD!

I cannot add any more superlatives to one of White's best that have been previously mentioned. Just had to add another star befitting the excellence of "The Man."

The latin-tinged Look At Her, the extra-cool ballad Just The Way You Are (Billy Joel loved this version), the sensual Your Sweetness Is My Weakness...all in one original album! I loved this album since the vinyl days, and always will, now on CD.... Buy it now!

When giving this a listen today it of course baught back a recollection of listening to my mom's 8-Track of it out at our summer camp when I was in my early teens. You will get absolutely no argument from me regarding the similarity of at least one of these songs to Michael Jackson's Off the Wall era music. The presense of percussion,a moderately slower tempo than most high energy dance tunes and White's trademark orchestration leading working it's way in and out of the arrangement. That MJ element makes itself most obvious on the introductory tracks on this album "Look At Her" and of course "Your Sweetness Is My Weakness". Now Mike himself once stated that Barry's music was a huge influence on his late 70's solo music but the main thing that makes the two unique is that on this material there tends to be a tendancy to feed all of the music into the control board and the result is a very heavily arranged sound,wheras Mike's music tended to showcase a lot of live miking on his vocals and some of the instrumentation. Not only that but Barry sticks to the basics in his variety of disco-funk by repeating lyrical lines often in the most sexual motions,not very surprising considering his reputation and by emphasizing instrumental parts as much if not more sometimes than his vocals. The influence of Isaac Hayes really allowed that aspect of Barry's music to be what it was. "Sha La La (Means I Love You" has more of a pop melody to it and adds an unusually strong salsma element even for the disco era to bridge together the poppier funk-disco meat of the song. It's one of the best songs on the album and brilliant compositionally. More of a sleekness shows up on some of the slow jam funk kind of ballads here such as "September When I First Met You","It's Only Love Doing It's Thing" and the fairly somber reflection of "Early Years". Adding his own monologue as well as heavier keyboard parts White's version of "Just The Way You Are" is a more than welcomed addition to the album,really bringing out the mild jazzy-funk flavor Billy Joel's original only hinted at-taking the chording of the song and working musically off of that part of the melody. Everything musically positive about Barry White,from his excellent arranging skills to his classic reflectively sensual lyrical orientation are in fine form throughout this-one of his many fine musical moments of this era.